Harmony
Diatonic Chords in Major and Minor Keys Explained
Diatonic chords are the triads built on each scale degree from the key's own notes. Here are their qualities in major and minor, worked out in C and A.
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Harmony
Diatonic chords are the triads built on each scale degree from the key's own notes. Here are their qualities in major and minor, worked out in C and A.
Ear Training & Practice
Interval recognition comes faster with a method: three intervals tied to a tonic, sung before they are named, and a short daily routine you can keep.
Music History
Gregorian chant is unaccompanied Latin liturgical song. Neumes were the signs that recorded its melodies, first showing only the direction of movement and later placed on lines.
Guitar & Fretboard
Every fret is one semitone, so the fretboard is a grid of note names. This covers standard tuning, the landmark frets and a two-week routine for learning the whole neck.
Fundamentals
The staff, the treble and bass clefs, line and space names, ledger lines, and where the key and time signatures sit, with a table to learn from.
Ear Training & Practice
Transcribe by ear in a fixed order: key and bass first, then chords by root and quality, then the melody by scale degree, and rhythm last.
Songwriting & Composition
Put chord tones on strong beats, approach tension notes by step, and keep the line singable. A worked melody over C, G, Am and F shows each choice.
Jazz & Popular Harmony
Shell and rootless voicings keep the third and seventh of each chord and leave room for a bass player. Worked examples use Dm7, G7 and Cmaj7.
Fundamentals
The major scale is seven notes spaced whole, whole, half, whole, whole, whole, half. Here is the formula, four scales built from it, and the sharps and flats it forces.
Harmony
A non-chord tone is a note that sounds over a chord without belonging to it. Here are the main types, how each is approached and left, and how to write them.
Rhythm & Meter
Each note value is half the one above it. Whole to sixteenth notes and their rests, plus how dots, ties and beams change what you count.
Counterpoint
Parallel fifths and octaves are voices that move together and keep a perfect interval. Here is why strict voice leading forbids them and where the rule bends.

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The site's working library as a structured ebook: intervals, keys, harmony, counterpoint, rhythm, form, tuning, orchestration and the history behind them.
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