Rhythm & Meter
Syncopation, Accent and Groove: Rhythm That Pushes Back
Tied overbeats, attacked offbeats, hemiola and groove: how syncopation displaces accent and why the body keeps the score.
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Rhythm & Meter
Tied overbeats, attacked offbeats, hemiola and groove: how syncopation displaces accent and why the body keeps the score.
Rhythm & Meter
Hear 5/4 and 7/8 as beat groups, not math: counting systems, conducting, repertoire from Brubeck to Balkan dance.
Rhythm & Meter
Meter is a pattern of strong and weak positions, not a time signature: how it is built, how it stretches past the bar, and where performance contradicts it.
Rhythm & Meter
Each note value is half the one above it. Whole to sixteenth notes and their rests, plus how dots, ties and beams change what you count.
Harmony
Replace any dominant with the dominant a tritone away: why subV7 works, how it smooths bass lines, and where jazz standards hide it.
Rhythm & Meter
Jazz notation asks for swing and leaves the ratio to the players, because the timing is tempo-dependent and a fixed written value would be wrong at most speeds.