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D♯ altered scale

D♯ altered is D♯ E F♯ G A B C♯. The altered scale: the seventh mode of melodic minor, with the second through seventh lowered, used over dominant sevenths in jazz.

Click a note to hear it

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Formula
1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭7
Steps
H W H W W W W
Notes
7
Key signature
6 sharps
The D♯ altered scale, one octave up: D sharp4, then E4, then F sharp4, then G4, then A4, then B4, then C sharp5, then D sharp5
The D♯ altered scale, one octave up

Notes and degrees

The D♯ altered scale has seven notes: D♯ E F♯ G A B C♯. Each degree is named by its distance from the tonic, D♯.

DegreeNoteInterval above D♯Name
1P1tonic
2m2supertonic
3m3mediant
4d4subdominant
5d5dominant
6m6submediant
7m7subtonic

On the piano

Every key of the scale is lit in its own colour. Click one to hear it.

C4EGABC5D♯F♯C♯D♯

On the guitar

Every D♯ scale tone on the first twelve frets in standard tuning. The tonic is ringed. Click a dot to hear the note.

357912EF♯GABC♯D♯EABC♯D♯EF♯GAD♯EF♯GABC♯GABC♯D♯EF♯GBC♯D♯EF♯GABEF♯GABC♯D♯E

Chords in D♯ altered

Stacking thirds on each degree gives a triad and a seventh chord. The numerals are measured from the tonic against the major scale, so a ♭ means that chord root is lower than in major.

NumeralTriadSeventh chord
i°D♯dim D♯m7♭5
♭iiEm Em(maj7)
♭iiiF♯m F♯m7
♭IV+Gaug G B D♯ F♯
♭VA A7
♭VIB B7
♭vii°C♯dim C♯m7♭5

What it sounds like

The altered scale follows the pattern half, whole, half, whole, whole, whole, whole. Relative to the major pattern, every degree from the second to the seventh is lowered, which places it far from major. Over a dominant chord it contains the flat and sharp fifths and the flat and sharp ninths, so the chord sounds intensely unstable. The scale has no perfect fourth or perfect fifth, and it does not resolve easily without a tonic chord to answer it.

Where you hear it

The altered scale is the standard jazz choice over dominant seventh chords whose ninths and fifths are altered, a chord written C7alt. It is used in bebop, hard bop, and modern jazz improvisation, and in fusion as a tense dominant sound. It works best where a dominant resolves to a minor or major chord and the player wants maximum pull. Its use is mostly in jazz rather than in classical or folk music.

How it is built

The altered scale is the seventh mode of melodic minor. On C, it has the same notes as D♭ melodic minor, so C altered is the seventh mode of D♭ melodic minor. Over C7, the scale supplies E as the major third, written F♭, along with B♭ as the seventh and the altered ninths and fifths. Compared with the major scale, its second through seventh degrees are all lowered, which makes it a highly chromatic collection.

Scales with the same notes

These scales use the same seven pitches as D♯ altered, starting from a different note.

Other D♯ scales

How to practise it

Play C altered, C D♭ E♭ E G♭ A♭ B♭, over a C7 vamp, then move the same shape to G for a G7 vamp and hear the same sound in a new place. Target E, the major third, and resolve the flat ninth, D♭, down to C. Play a four-bar line over the dominant, emphasizing the flat and sharp fifths on strong beats.

Further reading

Questions

What are the notes of the D♯ altered scale?

The D♯ altered scale is D♯, E, F♯, G, A, B, C♯. Written ascending it returns to D♯ an octave higher.

What is the formula for the D♯ altered scale?

The formula is 1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭7 measured from the major scale. As steps that is H, W, H, W, W, W, W (W is a whole step, H a half step).

What key signature does D♯ altered use?

D♯ altered is written with 6 sharps in the key signature.

Which chords belong to D♯ altered?

Stacking thirds on each degree gives the triads D♯dim, Em, F♯m, Gaug, A, B, C♯dim.

What is the altered scale?

The altered scale is the seventh mode of melodic minor, with the second through seventh degrees lowered. On C it is C D♭ E♭ E G♭ A♭ B♭. It supplies flat and sharp ninths and fifths over a dominant chord. Jazz players call the chord built on this scale C7alt, meaning an altered dominant.

What chord does the altered scale go over?

It is used over dominant seventh chords, especially those marked altered on a chord chart. On a C7 chord, the scale contains the major third, written E, the flat seventh, and the flat and sharp ninths and fifths. Players often use it on the dominant that resolves to a minor or major tonic.

How is the altered scale related to melodic minor?

It is the seventh mode of melodic minor. On C, the altered scale has the same notes as D♭ melodic minor, so it is that scale's seventh mode. It differs from the major scale by lowering every degree from the second upward. The name refers to the altered notes it adds to a dominant chord.

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