Harmony
Functional Harmony: Tonic, Predominant, Dominant
Tonic, predominant and dominant describe what a chord does to a phrase rather than what it is. This is how the three harmonic jobs divide the work.
The fifth degree of the scale, a perfect fifth above the tonic, which pulls strongly back toward the tonic.
Also called: fifth degree, V, dominant chord
The dominant is the fifth degree of a scale, a perfect fifth above the tonic. In C major it is G, and in A minor it is E. The dominant chord, written V, is the chord most strongly drawn back to the tonic, and the V to I progression is the authentic cadence that ends most tonal phrases. Adding a minor seventh to the dominant chord gives the dominant seventh, such as G B D F, whose tritone between B and F resolves inward to C and E. In A minor the dominant chord is E major, which uses the raised leading tone G♯ from harmonic minor.
Harmony
Tonic, predominant and dominant describe what a chord does to a phrase rather than what it is. This is how the three harmonic jobs divide the work.
Harmony
Why ii V I is the backbone of tonal music: voice leading, turnarounds, minor-key forms, and the jazz reharm toolkit.