Harmony
Harmonizing a Melody: How to Choose the Chords
Harmonizing a melody means choosing a chord for each strong beat that contains the melody note. This worked example uses the opening of Ode to Joy in C.
The archive
100 pieces on how music is built and how it is written down — with playable examples, tables you can check, and no filler.
♮ intro · ♯♯ intermediate · ♯♯♯♯ advanced — like key signatures, more marks means more to hold in mind
Harmony
Harmonizing a melody means choosing a chord for each strong beat that contains the melody note. This worked example uses the opening of Ode to Joy in C.
Harmony
Pedal point holds one bass note while the harmony above it changes. An ostinato repeats a short pattern. This covers the kinds of pedal, how clashes resolve, and the ground bass.
Harmony
The fully diminished seventh is four notes stacked in minor thirds, and the half-diminished seventh is a diminished triad with a minor seventh. This is how each one spells and resolves in C.
Harmony
The Tonnetz is a lattice of fifths and major thirds whose triangles are triads. Leonhard Euler described it in 1739, and this is how to read it.
Harmony
A non-chord tone is a note that sounds over a chord without belonging to it. Here are the main types, how each is approached and left, and how to write them.
Harmony
Why ii V I is the backbone of tonal music: voice leading, turnarounds, minor-key forms, and the jazz reharm toolkit.
Harmony
Descending fifths, ascending 5-6 patterns, Pachelbel loops: how sequences work, when they modulate, and how to write them.
Harmony
Figures name intervals above the bass, not chords. What each shorthand means, how accidentals override the key, and what the player decides.
Harmony
A secondary dominant makes any chord a temporary tonic. How to spell one, where it turns up, and what cancels the effect.
Harmony
The chordal seventh falls, the leading tone rises, and the tritone at the centre of V7 resolves by step. What each diatonic seventh chord is for.
Harmony
Parallel fifths, tendency tones, spacing and doubling, read as solutions to one problem: keeping four lines heard as four lines.

The ebook
The site's working library as a structured ebook: intervals, keys, harmony, counterpoint, rhythm, form, tuning, orchestration and the history behind them.
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