{
    "query": "Tie",
    "count": 20,
    "count_indexed": 85,
    "total": 21,
    "lookups": [],
    "groups": [
        {
            "kind": "term",
            "label": "Glossary",
            "items": [
                {
                    "kind": "term",
                    "title": "Tie",
                    "url": "https://musics.name/glossary/tie/",
                    "description": "A curved line joining two notes of the same pitch, so that they sound as one note lasting the combined value.",
                    "score": 56
                }
            ]
        },
        {
            "kind": "article",
            "label": "Articles",
            "items": [
                {
                    "kind": "article",
                    "title": "Note Values, Rests, Ties and Dots Explained",
                    "url": "https://musics.name/articles/note-values-rests-ties-and-dots/",
                    "description": "…a rest of the same length. A dot adds half the value, and a tie joins two notes of……",
                    "score": 48
                },
                {
                    "kind": "article",
                    "title": "Syncopation, Accent and Groove: Rhythm That Pushes Back",
                    "url": "https://musics.name/articles/syncopation-accent-and-groove/",
                    "description": "Music that accents exactly where expected quickly turns march-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the…",
                    "score": 35
                },
                {
                    "kind": "article",
                    "title": "Diatonic Chords in Major and Minor Keys Explained",
                    "url": "https://musics.name/articles/diatonic-chords-in-major-and-minor/",
                    "description": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a…",
                    "score": 32
                },
                {
                    "kind": "article",
                    "title": "Ear Training for Intervals: A Method You Can Practise Daily",
                    "url": "https://musics.name/articles/ear-training-intervals-method/",
                    "description": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "After Tonality: What Composers Replaced It With",
                    "url": "https://musics.name/articles/music-after-tonality/",
                    "description": "The tonal system was not abandoned because composers got bored of it. It was abandoned, in a handful of works written between roughly 1908 and 1923, because the chromatic language that had been built…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "The Rise of Functional Tonality: From Modes to Keys",
                    "url": "https://musics.name/articles/rise-of-functional-tonality/",
                    "description": "A motet by Palestrina and a trio sonata by Corelli are separated by about a century, and the difference between them is not a matter of ornament. In the motet, harmony is what happens while four or…",
                    "score": 30
                },
                {
                    "kind": "article",
                    "title": "How to Transcribe Music by Ear: A Step-by-Step Procedure",
                    "url": "https://musics.name/articles/how-to-transcribe-music-by-ear/",
                    "description": "…the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the chords as Roman numerals so the result transposes, and kee…",
                    "score": 29
                },
                {
                    "kind": "article",
                    "title": "Romantic Chromaticism and the Expanding Tonic",
                    "url": "https://musics.name/articles/romantic-chromaticism/",
                    "description": "Nineteenth-century harmony is usually described as chromatic, and the word hides the important part. A chromatic passage is not a passage that has left its key. It is a passage that has widened the…",
                    "score": 29
                },
                {
                    "kind": "article",
                    "title": "Church Modes From Dorian to Locrian: A Practical Guide",
                    "url": "https://musics.name/articles/church-modes-dorian-to-locrian/",
                    "description": "Major and minor feel like the only options until a melody settles somewhere stranger. The church modes name those other settlements: six diatonic rotations, each with its own final, its own color…",
                    "score": 28
                },
                {
                    "kind": "article",
                    "title": "How to Read Sheet Music: Staves, Clefs and Note Names",
                    "url": "https://musics.name/articles/how-to-read-sheet-music/",
                    "description": "Sheet music is a grid of pitch against time. Pitch rises up the page from low to high, time runs from left to right, and the notes sit on a staff of five horizontal lines with four spaces between…",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "Scale Degrees Explained: Numbers, Names and Solfège",
                    "url": "https://musics.name/articles/scale-degrees-and-solfege/",
                    "description": "A scale degree is a note’s position counted up from the tonic. The tonic is degree 1, the note the key is named for, and the fifth note of the major scale is degree 5, the dominant, whatever key you…",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "Time Signatures Explained: Simple, Compound and Beyond",
                    "url": "https://musics.name/articles/time-signatures-explained/",
                    "description": "A time signature has two numbers. The top number is the count of beats in each bar, and the bottom number names the note value that counts as one unit. In 3/4 a bar holds three quarter-note beats. In…",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "Augmented Sixth Chords: Italian, French and German Types",
                    "url": "https://musics.name/articles/augmented-sixth-chords/",
                    "description": "…d sixth family turns that gesture into three distinct sonorities, each with its own color, its own resolution habits, and its own role in reaching the dominant……",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "Binary and Ternary Form: Dance Patterns to Art Music",
                    "url": "https://musics.name/articles/binary-and-ternary-form/",
                    "description": "Most short pieces are either two halves or three parts. Binary and ternary forms name those designs, and their cadence plans, repeat schemes, and return strategies explain everything from Bach gigues…",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "From Ars Nova to the Renaissance: How Notation Changed Music",
                    "url": "https://musics.name/articles/ars-nova-and-renaissance-notation/",
                    "description": "A staff puts a note in pitch space, and position is cheap to draw. Duration is not a position but a relationship: a note is short only next to a longer one, and a page of polyphony has to state that…",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "Chord Symbols Explained: Major, Minor, Seventh and Slash Chords",
                    "url": "https://musics.name/articles/chord-symbols-explained/",
                    "description": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "Common Chord Progressions: Loops, Numerals and Why They Work",
                    "url": "https://musics.name/articles/common-chord-progressions/",
                    "description": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "Gregorian Chant and Neumes: How Early Scribes Wrote Melody",
                    "url": "https://musics.name/articles/gregorian-chant-and-neumes/",
                    "description": "Gregorian chant is the body of unaccompanied, single-line Latin song that the Western Church sang in its liturgy. Its melodies were recorded in neumes, signs written above the text. The earliest…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "Roman Numeral Analysis: How to Label a Chord Progression",
                    "url": "https://musics.name/articles/roman-numeral-analysis/",
                    "description": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "Timbre and Overtones: Why the Same Note Sounds Different",
                    "url": "https://musics.name/articles/timbre-and-overtones/",
                    "description": "Timbre is the quality that lets you tell a clarinet from a trumpet playing the same pitch at the same loudness. It depends on the spectrum: which partials are present, how strong each one is, and how…",
                    "score": 26
                }
            ]
        }
    ],
    "results": [
        {
            "slug": "note-values-rests-ties-and-dots",
            "title": "Note Values, Rests, Ties and Dots Explained",
            "dek": "Each note value is half the one above it. Whole to sixteenth notes and their rests, plus how dots, ties and beams change what you count.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "note values",
                "rhythm",
                "counting"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1712,
            "reading_time_minutes": 9,
            "url": "https://musics.name/articles/note-values-rests-ties-and-dots/",
            "markdown_url": "https://musics.name/articles/note-values-rests-ties-and-dots.md",
            "json_url": "https://musics.name/api/article.json?slug=note-values-rests-ties-and-dots",
            "excerpt": "A note value says how long a note sounds in relation to the beat. Each value is half the length of the one above it: whole, half, quarter, eighth, sixteenth. Every value has a rest of the same length. A dot adds half the value, and a tie joins two notes of…",
            "score": 48,
            "partial": false,
            "snippet": "…a rest of the same length. A dot adds half the value, and a tie joins two notes of……"
        },
        {
            "slug": "syncopation-accent-and-groove",
            "title": "Syncopation, Accent and Groove: Rhythm That Pushes Back",
            "dek": "Tied overbeats, attacked offbeats, hemiola and groove: how syncopation displaces accent and why the body keeps the score.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "syncopation",
                "groove",
                "accent"
            ],
            "level": "intro",
            "date": "2026-10-04",
            "updated": "2026-10-11",
            "words": 1220,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/syncopation-accent-and-groove/",
            "markdown_url": "https://musics.name/articles/syncopation-accent-and-groove.md",
            "json_url": "https://musics.name/api/article.json?slug=syncopation-accent-and-groove",
            "excerpt": "Music that accents exactly where expected quickly turns march-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the pulse is what makes rhythm feel alive. #The two basic…",
            "score": 35,
            "partial": false,
            "snippet": "Music that accents exactly where expected quickly turns march-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the…"
        },
        {
            "slug": "diatonic-chords-in-major-and-minor",
            "title": "Diatonic Chords in Major and Minor Keys Explained",
            "dek": "Diatonic chords are the triads built on each scale degree from the key's own notes. Here are their qualities in major and minor, worked out in C and A.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "diatonic harmony",
                "triads",
                "scale degrees"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1432,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/diatonic-chords-in-major-and-minor/",
            "markdown_url": "https://musics.name/articles/diatonic-chords-in-major-and-minor.md",
            "json_url": "https://musics.name/api/article.json?slug=diatonic-chords-in-major-and-minor",
            "excerpt": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a different set, Am, B°, C, Dm, Em, F and G, and the harmonic minor…",
            "score": 32,
            "partial": false,
            "snippet": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a…"
        },
        {
            "slug": "ear-training-intervals-method",
            "title": "Ear Training for Intervals: A Method You Can Practise Daily",
            "dek": "Interval recognition comes faster with a method: three intervals tied to a tonic, sung before they are named, and a short daily routine you can keep.",
            "topic": "practice",
            "topic_name": "Ear Training & Practice",
            "tags": [
                "ear training",
                "intervals",
                "solfège"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1390,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/ear-training-intervals-method/",
            "markdown_url": "https://musics.name/articles/ear-training-intervals-method.md",
            "json_url": "https://musics.name/api/article.json?slug=ear-training-intervals-method",
            "excerpt": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are reliable in random order. Practise for about ten minutes a day…",
            "score": 31,
            "partial": false,
            "snippet": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are…"
        },
        {
            "slug": "music-after-tonality",
            "title": "After Tonality: What Composers Replaced It With",
            "dek": "When chromatic harmony outgrew the tonal hierarchy, composers tried serial rules, rhythm, folk modes, and sound mass. What each method actually solved.",
            "topic": "history",
            "topic_name": "Music History",
            "tags": [
                "atonality",
                "serialism",
                "modernism"
            ],
            "level": "advanced",
            "date": "2026-09-25",
            "updated": null,
            "words": 1482,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/music-after-tonality/",
            "markdown_url": "https://musics.name/articles/music-after-tonality.md",
            "json_url": "https://musics.name/api/article.json?slug=music-after-tonality",
            "excerpt": "The tonal system was not abandoned because composers got bored of it. It was abandoned, in a handful of works written between roughly 1908 and 1923, because the chromatic language that had been built on top of it could no longer be explained by it. What…",
            "score": 31,
            "partial": false,
            "snippet": "The tonal system was not abandoned because composers got bored of it. It was abandoned, in a handful of works written between roughly 1908 and 1923, because the chromatic language that had been built…"
        },
        {
            "slug": "rise-of-functional-tonality",
            "title": "The Rise of Functional Tonality: From Modes to Keys",
            "dek": "Around 1600 the bass became the foundation of harmony and the modal system narrowed to two keys. What changed in the documents, and what the change cost.",
            "topic": "history",
            "topic_name": "Music History",
            "tags": [
                "tonality",
                "basso continuo",
                "modes"
            ],
            "level": "intermediate",
            "date": "2026-09-25",
            "updated": null,
            "words": 1613,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/rise-of-functional-tonality/",
            "markdown_url": "https://musics.name/articles/rise-of-functional-tonality.md",
            "json_url": "https://musics.name/api/article.json?slug=rise-of-functional-tonality",
            "excerpt": "A motet by Palestrina and a trio sonata by Corelli are separated by about a century, and the difference between them is not a matter of ornament. In the motet, harmony is what happens while four or five independent lines are doing something else. In the…",
            "score": 30,
            "partial": false,
            "snippet": "A motet by Palestrina and a trio sonata by Corelli are separated by about a century, and the difference between them is not a matter of ornament. In the motet, harmony is what happens while four or…"
        },
        {
            "slug": "how-to-transcribe-music-by-ear",
            "title": "How to Transcribe Music by Ear: A Step-by-Step Procedure",
            "dek": "Transcribe by ear in a fixed order: key and bass first, then chords by root and quality, then the melody by scale degree, and rhythm last.",
            "topic": "practice",
            "topic_name": "Ear Training & Practice",
            "tags": [
                "transcription",
                "ear training",
                "harmony"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1374,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/how-to-transcribe-music-by-ear/",
            "markdown_url": "https://musics.name/articles/how-to-transcribe-music-by-ear.md",
            "json_url": "https://musics.name/api/article.json?slug=how-to-transcribe-music-by-ear",
            "excerpt": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the chords as Roman numerals so the result transposes, and keep a…",
            "score": 29,
            "partial": false,
            "snippet": "…the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the chords as Roman numerals so the result transposes, and kee…"
        },
        {
            "slug": "romantic-chromaticism",
            "title": "Romantic Chromaticism and the Expanding Tonic",
            "dek": "Chromatic harmony widened a key without leaving it: the resources that do the work, the Tristan chord, and how to analyse it without over-labelling.",
            "topic": "history",
            "topic_name": "Music History",
            "tags": [
                "chromaticism",
                "harmony",
                "nineteenth century"
            ],
            "level": "advanced",
            "date": "2026-09-25",
            "updated": null,
            "words": 1624,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/romantic-chromaticism/",
            "markdown_url": "https://musics.name/articles/romantic-chromaticism.md",
            "json_url": "https://musics.name/api/article.json?slug=romantic-chromaticism",
            "excerpt": "Nineteenth-century harmony is usually described as chromatic, and the word hides the important part. A chromatic passage is not a passage that has left its key. It is a passage that has widened the key until it includes notes and chords the older vocabulary…",
            "score": 29,
            "partial": false,
            "snippet": "Nineteenth-century harmony is usually described as chromatic, and the word hides the important part. A chromatic passage is not a passage that has left its key. It is a passage that has widened the…"
        },
        {
            "slug": "church-modes-dorian-to-locrian",
            "title": "Church Modes From Dorian to Locrian: A Practical Guide",
            "dek": "Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian explained by pattern and color, with hearing tips and modern uses.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "modes",
                "scales",
                "melody"
            ],
            "level": "intermediate",
            "date": "2026-10-04",
            "updated": null,
            "words": 1307,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/church-modes-dorian-to-locrian/",
            "markdown_url": "https://musics.name/articles/church-modes-dorian-to-locrian.md",
            "json_url": "https://musics.name/api/article.json?slug=church-modes-dorian-to-locrian",
            "excerpt": "Major and minor feel like the only options until a melody settles somewhere stranger. The church modes name those other settlements: six diatonic rotations, each with its own final, its own color notes, and its own repertoire from chant to jazz. #The seven…",
            "score": 28,
            "partial": false,
            "snippet": "Major and minor feel like the only options until a melody settles somewhere stranger. The church modes name those other settlements: six diatonic rotations, each with its own final, its own color…"
        },
        {
            "slug": "how-to-read-sheet-music",
            "title": "How to Read Sheet Music: Staves, Clefs and Note Names",
            "dek": "The staff, the treble and bass clefs, line and space names, ledger lines, and where the key and time signatures sit, with a table to learn from.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "sheet music",
                "staff",
                "clef",
                "notation"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1351,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/how-to-read-sheet-music/",
            "markdown_url": "https://musics.name/articles/how-to-read-sheet-music.md",
            "json_url": "https://musics.name/api/article.json?slug=how-to-read-sheet-music",
            "excerpt": "Sheet music is a grid of pitch against time. Pitch rises up the page from low to high, time runs from left to right, and the notes sit on a staff of five horizontal lines with four spaces between them. To name a note, find the clef at the start of the staff…",
            "score": 27,
            "partial": false,
            "snippet": "Sheet music is a grid of pitch against time. Pitch rises up the page from low to high, time runs from left to right, and the notes sit on a staff of five horizontal lines with four spaces between…"
        },
        {
            "slug": "scale-degrees-and-solfege",
            "title": "Scale Degrees Explained: Numbers, Names and Solfège",
            "dek": "Scale degrees number each note of a scale from its tonic, and solfège names the same positions do, re, mi. Degree names, movable and fixed do, and why degrees travel between keys.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "scale degree",
                "solfege",
                "tonic",
                "ear training"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1349,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/scale-degrees-and-solfege/",
            "markdown_url": "https://musics.name/articles/scale-degrees-and-solfege.md",
            "json_url": "https://musics.name/api/article.json?slug=scale-degrees-and-solfege",
            "excerpt": "A scale degree is a note’s position counted up from the tonic. The tonic is degree 1, the note the key is named for, and the fifth note of the major scale is degree 5, the dominant, whatever key you are in. Solfège attaches syllables to those positions…",
            "score": 27,
            "partial": false,
            "snippet": "A scale degree is a note’s position counted up from the tonic. The tonic is degree 1, the note the key is named for, and the fifth note of the major scale is degree 5, the dominant, whatever key you…"
        },
        {
            "slug": "time-signatures-explained",
            "title": "Time Signatures Explained: Simple, Compound and Beyond",
            "dek": "A time signature gives beats per bar and the note value that counts as one beat. Simple meters split each beat in two, compound meters split it in three.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "time signature",
                "meter",
                "beat"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1520,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/time-signatures-explained/",
            "markdown_url": "https://musics.name/articles/time-signatures-explained.md",
            "json_url": "https://musics.name/api/article.json?slug=time-signatures-explained",
            "excerpt": "A time signature has two numbers. The top number is the count of beats in each bar, and the bottom number names the note value that counts as one unit. In 3/4 a bar holds three quarter-note beats. In 6/8 it holds six eighth-note units, which listeners usually…",
            "score": 27,
            "partial": false,
            "snippet": "A time signature has two numbers. The top number is the count of beats in each bar, and the bottom number names the note value that counts as one unit. In 3/4 a bar holds three quarter-note beats. In…"
        },
        {
            "slug": "augmented-sixth-chords",
            "title": "Augmented Sixth Chords: Italian, French and German Types",
            "dek": "Italian, French and German sixth chords: how each type is built, how they resolve to V, and their use in enharmonic modulation.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "augmented sixth",
                "chromatic harmony",
                "modulation"
            ],
            "level": "advanced",
            "date": "2026-10-04",
            "updated": null,
            "words": 1272,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/augmented-sixth-chords/",
            "markdown_url": "https://musics.name/articles/augmented-sixth-chords.md",
            "json_url": "https://musics.name/api/article.json?slug=augmented-sixth-chords",
            "excerpt": "Some chords exist for a single gesture: two voices stretching outward to an octave. The augmented sixth family turns that gesture into three distinct sonorities, each with its own color, its own resolution habits, and its own role in reaching the dominant…",
            "score": 27,
            "partial": false,
            "snippet": "…d sixth family turns that gesture into three distinct sonorities, each with its own color, its own resolution habits, and its own role in reaching the dominant……"
        },
        {
            "slug": "binary-and-ternary-form",
            "title": "Binary and Ternary Form: Dance Patterns to Art Music",
            "dek": "Simple and rounded binary, ABA and da capo: the cadence plans that define each section and how dances grew into art forms.",
            "topic": "form",
            "topic_name": "Form",
            "tags": [
                "binary form",
                "ternary form",
                "dance movements"
            ],
            "level": "intro",
            "date": "2026-10-04",
            "updated": null,
            "words": 1226,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/binary-and-ternary-form/",
            "markdown_url": "https://musics.name/articles/binary-and-ternary-form.md",
            "json_url": "https://musics.name/api/article.json?slug=binary-and-ternary-form",
            "excerpt": "Most short pieces are either two halves or three parts. Binary and ternary forms name those designs, and their cadence plans, repeat schemes, and return strategies explain everything from Bach gigues to pop bridges. Learn these two and large forms start…",
            "score": 27,
            "partial": false,
            "snippet": "Most short pieces are either two halves or three parts. Binary and ternary forms name those designs, and their cadence plans, repeat schemes, and return strategies explain everything from Bach gigues…"
        },
        {
            "slug": "ars-nova-and-renaissance-notation",
            "title": "From Ars Nova to the Renaissance: How Notation Changed Music",
            "dek": "Rhythm took two centuries longer than pitch to notate. Mensural notation solved it with ratios, and the Renaissance then replaced black ink with white.",
            "topic": "history",
            "topic_name": "Music History",
            "tags": [
                "notation",
                "mensural notation",
                "renaissance"
            ],
            "level": "intermediate",
            "date": "2026-09-25",
            "updated": null,
            "words": 1499,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/ars-nova-and-renaissance-notation/",
            "markdown_url": "https://musics.name/articles/ars-nova-and-renaissance-notation.md",
            "json_url": "https://musics.name/api/article.json?slug=ars-nova-and-renaissance-notation",
            "excerpt": "A staff puts a note in pitch space, and position is cheap to draw. Duration is not a position but a relationship: a note is short only next to a longer one, and a page of polyphony has to state that relationship for every voice at once. European music had a…",
            "score": 27,
            "partial": false,
            "snippet": "A staff puts a note in pitch space, and position is cheap to draw. Duration is not a position but a relationship: a note is short only next to a longer one, and a page of polyphony has to state that…"
        },
        {
            "slug": "chord-symbols-explained",
            "title": "Chord Symbols Explained: Major, Minor, Seventh and Slash Chords",
            "dek": "A chord symbol names the root, the quality, the extra notes and the bass. Here is how to read Cmaj7, C7, Cm7, C/E and C7b9, and the notes each one contains.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "chord symbols",
                "lead sheet",
                "seventh chords"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1506,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/chord-symbols-explained/",
            "markdown_url": "https://musics.name/articles/chord-symbols-explained.md",
            "json_url": "https://musics.name/api/article.json?slug=chord-symbols-explained",
            "excerpt": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and Cmaj7 adds a major seventh (B). Each symbol is a short…",
            "score": 26,
            "partial": false,
            "snippet": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and…"
        },
        {
            "slug": "common-chord-progressions",
            "title": "Common Chord Progressions: Loops, Numerals and Why They Work",
            "dek": "The chord loops that songwriters reuse most, in Roman numerals and in the keys of C and G, with the reasons they work and how to vary them.",
            "topic": "songwriting",
            "topic_name": "Songwriting & Composition",
            "tags": [
                "chord progression",
                "songwriting",
                "roman numerals"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1470,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/common-chord-progressions/",
            "markdown_url": "https://musics.name/articles/common-chord-progressions.md",
            "json_url": "https://musics.name/api/article.json?slug=common-chord-progressions",
            "excerpt": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least some of the time, neighbouring chords share notes, and the…",
            "score": 26,
            "partial": false,
            "snippet": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least…"
        },
        {
            "slug": "gregorian-chant-and-neumes",
            "title": "Gregorian Chant and Neumes: How Early Scribes Wrote Melody",
            "dek": "Gregorian chant is unaccompanied Latin liturgical song. Neumes were the signs that recorded its melodies, first showing only the direction of movement and later placed on lines.",
            "topic": "history",
            "topic_name": "Music History",
            "tags": [
                "gregorian chant",
                "neumes",
                "medieval notation"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1374,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/gregorian-chant-and-neumes/",
            "markdown_url": "https://musics.name/articles/gregorian-chant-and-neumes.md",
            "json_url": "https://musics.name/api/article.json?slug=gregorian-chant-and-neumes",
            "excerpt": "Gregorian chant is the body of unaccompanied, single-line Latin song that the Western Church sang in its liturgy. Its melodies were recorded in neumes, signs written above the text. The earliest surviving neumed manuscripts date from roughly the ninth…",
            "score": 26,
            "partial": false,
            "snippet": "Gregorian chant is the body of unaccompanied, single-line Latin song that the Western Church sang in its liturgy. Its melodies were recorded in neumes, signs written above the text. The earliest…"
        },
        {
            "slug": "roman-numeral-analysis",
            "title": "Roman Numeral Analysis: How to Label a Chord Progression",
            "dek": "Roman numerals label each chord by the scale degree of its root and its quality. Here is a step-by-step method, with I vi IV V worked in C and G.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "roman numerals",
                "harmonic analysis",
                "chord progressions"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1430,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/roman-numeral-analysis/",
            "markdown_url": "https://musics.name/articles/roman-numeral-analysis.md",
            "json_url": "https://musics.name/api/article.json?slug=roman-numeral-analysis",
            "excerpt": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals describe how each chord relates to the key…",
            "score": 26,
            "partial": false,
            "snippet": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV…"
        },
        {
            "slug": "timbre-and-overtones",
            "title": "Timbre and Overtones: Why the Same Note Sounds Different",
            "dek": "Timbre is the shape of a note's spectrum: which partials are present, how strong they are and how the sound begins. Here is why a clarinet, a flute and a piano differ on the same pitch.",
            "topic": "acoustics",
            "topic_name": "Acoustics & Sound",
            "tags": [
                "timbre",
                "overtones",
                "spectrum"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1367,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/timbre-and-overtones/",
            "markdown_url": "https://musics.name/articles/timbre-and-overtones.md",
            "json_url": "https://musics.name/api/article.json?slug=timbre-and-overtones",
            "excerpt": "Timbre is the quality that lets you tell a clarinet from a trumpet playing the same pitch at the same loudness. It depends on the spectrum: which partials are present, how strong each one is, and how those strengths change through the note’s attack, its…",
            "score": 26,
            "partial": false,
            "snippet": "Timbre is the quality that lets you tell a clarinet from a trumpet playing the same pitch at the same loudness. It depends on the spectrum: which partials are present, how strong each one is, and how…"
        }
    ],
    "ranking": "Direct answers first (chord symbols, scale and key names are parsed). Then tools, keys, scales, chords, intervals, glossary and topics by title match; articles rank by title (12) > tags (6) > dek (5) > topic (3) > body frequency (max 6), +25 when every query token matches.",
    "html": "https://musics.name/search/?q=Tie",
    "generated_at": "2026-10-14T00:47:37+00:00"
}