{
    "query": "Subdivision",
    "count": 8,
    "count_indexed": 84,
    "total": 9,
    "lookups": [],
    "groups": [
        {
            "kind": "term",
            "label": "Glossary",
            "items": [
                {
                    "kind": "term",
                    "title": "Subdivision",
                    "url": "https://musics.name/glossary/subdivision/",
                    "description": "Dividing a beat into smaller equal parts, such as two eighth notes or four sixteenths, so the rhythm can be…",
                    "score": 56
                }
            ]
        },
        {
            "kind": "article",
            "label": "Articles",
            "items": [
                {
                    "kind": "article",
                    "title": "How to Transcribe Music by Ear: A Step-by-Step Procedure",
                    "url": "https://musics.name/articles/how-to-transcribe-music-by-ear/",
                    "description": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the…",
                    "score": 30
                },
                {
                    "kind": "article",
                    "title": "Odd Meters in 5/4 and 7/8: Counting, Feeling, Writing",
                    "url": "https://musics.name/articles/odd-meters-five-and-seven/",
                    "description": "Five and seven feel impossible until they feel obvious. Odd meters are not broken fours with beats missing; they are their own groove systems built from unequal beat groups, and once the groups sit…",
                    "score": 29
                },
                {
                    "kind": "article",
                    "title": "Note Values, Rests, Ties and Dots Explained",
                    "url": "https://musics.name/articles/note-values-rests-ties-and-dots/",
                    "description": "A note value says how long a note sounds in relation to the beat. Each value is half the length of the one above it: whole, half, quarter, eighth, sixteenth. Every value has a rest of the same…",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "Tempo Markings Explained: Largo to Presto in Beats per Minute",
                    "url": "https://musics.name/articles/tempo-markings-largo-to-presto/",
                    "description": "Common tempo markings run from grave, the slowest, to presto, the fastest, and each term names a band of beats per minute rather than an exact speed. Grave covers roughly 25 to 45 beats per minute…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "String Bowing and Articulation: A Practical Arranger Guide",
                    "url": "https://musics.name/articles/string-bowing-and-articulation/",
                    "description": "Strings speak through the bow, and every articulation mark is an instruction to the right arm. Arrangers who understand what each bowing asks physically write parts that play themselves; those who…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "Syncopation, Accent and Groove: Rhythm That Pushes Back",
                    "url": "https://musics.name/articles/syncopation-accent-and-groove/",
                    "description": "Music that accents exactly where expected quickly turns march-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "Polyrhythm and Cross-Rhythm: Counting the Distinction",
                    "url": "https://musics.name/articles/polyrhythm-and-cross-rhythm/",
                    "description": "A percussionist and a conductor can look at the same bar and disagree about what to call it, because two terms get used as if they were synonyms. They are not. One describes a texture in which two…",
                    "score": 26
                },
                {
                    "kind": "article",
                    "title": "Swing Timing: What the Notation Does Not Say",
                    "url": "https://musics.name/articles/swing-timing/",
                    "description": "A written instruction like swing or medium swing asks a player to change the placement of notes that are, on the page, perfectly even. That looks like an instruction with missing information, and it…",
                    "score": 26
                }
            ]
        }
    ],
    "results": [
        {
            "slug": "how-to-transcribe-music-by-ear",
            "title": "How to Transcribe Music by Ear: A Step-by-Step Procedure",
            "dek": "Transcribe by ear in a fixed order: key and bass first, then chords by root and quality, then the melody by scale degree, and rhythm last.",
            "topic": "practice",
            "topic_name": "Ear Training & Practice",
            "tags": [
                "transcription",
                "ear training",
                "harmony"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1374,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/how-to-transcribe-music-by-ear/",
            "markdown_url": "https://musics.name/articles/how-to-transcribe-music-by-ear.md",
            "json_url": "https://musics.name/api/article.json?slug=how-to-transcribe-music-by-ear",
            "excerpt": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the chords as Roman numerals so the result transposes, and keep a…",
            "score": 30,
            "partial": false,
            "snippet": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the…"
        },
        {
            "slug": "odd-meters-five-and-seven",
            "title": "Odd Meters in 5/4 and 7/8: Counting, Feeling, Writing",
            "dek": "Hear 5/4 and 7/8 as beat groups, not math: counting systems, conducting, repertoire from Brubeck to Balkan dance.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "odd meter",
                "time signatures",
                "counting"
            ],
            "level": "intermediate",
            "date": "2026-10-04",
            "updated": "2026-10-11",
            "words": 1191,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/odd-meters-five-and-seven/",
            "markdown_url": "https://musics.name/articles/odd-meters-five-and-seven.md",
            "json_url": "https://musics.name/api/article.json?slug=odd-meters-five-and-seven",
            "excerpt": "Five and seven feel impossible until they feel obvious. Odd meters are not broken fours with beats missing; they are their own groove systems built from unequal beat groups, and once the groups sit in the body the counting takes care of itself. #Five as 3+2…",
            "score": 29,
            "partial": false,
            "snippet": "Five and seven feel impossible until they feel obvious. Odd meters are not broken fours with beats missing; they are their own groove systems built from unequal beat groups, and once the groups sit…"
        },
        {
            "slug": "note-values-rests-ties-and-dots",
            "title": "Note Values, Rests, Ties and Dots Explained",
            "dek": "Each note value is half the one above it. Whole to sixteenth notes and their rests, plus how dots, ties and beams change what you count.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "note values",
                "rhythm",
                "counting"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1712,
            "reading_time_minutes": 9,
            "url": "https://musics.name/articles/note-values-rests-ties-and-dots/",
            "markdown_url": "https://musics.name/articles/note-values-rests-ties-and-dots.md",
            "json_url": "https://musics.name/api/article.json?slug=note-values-rests-ties-and-dots",
            "excerpt": "A note value says how long a note sounds in relation to the beat. Each value is half the length of the one above it: whole, half, quarter, eighth, sixteenth. Every value has a rest of the same length. A dot adds half the value, and a tie joins two notes of…",
            "score": 27,
            "partial": false,
            "snippet": "A note value says how long a note sounds in relation to the beat. Each value is half the length of the one above it: whole, half, quarter, eighth, sixteenth. Every value has a rest of the same…"
        },
        {
            "slug": "tempo-markings-largo-to-presto",
            "title": "Tempo Markings Explained: Largo to Presto in Beats per Minute",
            "dek": "Italian tempo words run from slow to fast. Approximate beats-per-minute bands for each, the modifiers and transitions that change them, and why a metronome number needs a time signature.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "tempo",
                "metronome",
                "italian terms",
                "time signature"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1366,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/tempo-markings-largo-to-presto/",
            "markdown_url": "https://musics.name/articles/tempo-markings-largo-to-presto.md",
            "json_url": "https://musics.name/api/article.json?slug=tempo-markings-largo-to-presto",
            "excerpt": "Common tempo markings run from grave, the slowest, to presto, the fastest, and each term names a band of beats per minute rather than an exact speed. Grave covers roughly 25 to 45 beats per minute and presto roughly 168 to 200. Composers modify those bands…",
            "score": 26,
            "partial": false,
            "snippet": "Common tempo markings run from grave, the slowest, to presto, the fastest, and each term names a band of beats per minute rather than an exact speed. Grave covers roughly 25 to 45 beats per minute…"
        },
        {
            "slug": "string-bowing-and-articulation",
            "title": "String Bowing and Articulation: A Practical Arranger Guide",
            "dek": "Legato, detache, spiccato, staccato, martelé: what each bowing sounds like, how to mark it, and writing playable string parts.",
            "topic": "orchestration",
            "topic_name": "Orchestration",
            "tags": [
                "strings",
                "bowing",
                "articulation"
            ],
            "level": "intro",
            "date": "2026-10-04",
            "updated": null,
            "words": 1154,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/string-bowing-and-articulation/",
            "markdown_url": "https://musics.name/articles/string-bowing-and-articulation.md",
            "json_url": "https://musics.name/api/article.json?slug=string-bowing-and-articulation",
            "excerpt": "Strings speak through the bow, and every articulation mark is an instruction to the right arm. Arrangers who understand what each bowing asks physically write parts that play themselves; those who treat marks as decoration produce parts that fight back. #The…",
            "score": 26,
            "partial": false,
            "snippet": "Strings speak through the bow, and every articulation mark is an instruction to the right arm. Arrangers who understand what each bowing asks physically write parts that play themselves; those who…"
        },
        {
            "slug": "syncopation-accent-and-groove",
            "title": "Syncopation, Accent and Groove: Rhythm That Pushes Back",
            "dek": "Tied overbeats, attacked offbeats, hemiola and groove: how syncopation displaces accent and why the body keeps the score.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "syncopation",
                "groove",
                "accent"
            ],
            "level": "intro",
            "date": "2026-10-04",
            "updated": "2026-10-11",
            "words": 1220,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/syncopation-accent-and-groove/",
            "markdown_url": "https://musics.name/articles/syncopation-accent-and-groove.md",
            "json_url": "https://musics.name/api/article.json?slug=syncopation-accent-and-groove",
            "excerpt": "Music that accents exactly where expected quickly turns march-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the pulse is what makes rhythm feel alive. #The two basic…",
            "score": 26,
            "partial": false,
            "snippet": "Music that accents exactly where expected quickly turns march-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the…"
        },
        {
            "slug": "polyrhythm-and-cross-rhythm",
            "title": "Polyrhythm and Cross-Rhythm: Counting the Distinction",
            "dek": "Polyrhythm, cross-rhythm and polymeter are not interchangeable. Counting the ratios shows what separates a divided span from a pattern set against a metre.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "polyrhythm",
                "cross-rhythm",
                "meter"
            ],
            "level": "intermediate",
            "date": "2026-09-25",
            "updated": "2026-10-11",
            "words": 1442,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/polyrhythm-and-cross-rhythm/",
            "markdown_url": "https://musics.name/articles/polyrhythm-and-cross-rhythm.md",
            "json_url": "https://musics.name/api/article.json?slug=polyrhythm-and-cross-rhythm",
            "excerpt": "A percussionist and a conductor can look at the same bar and disagree about what to call it, because two terms get used as if they were synonyms. They are not. One describes a texture in which two parts divide the same span differently; the other describes a…",
            "score": 26,
            "partial": false,
            "snippet": "A percussionist and a conductor can look at the same bar and disagree about what to call it, because two terms get used as if they were synonyms. They are not. One describes a texture in which two…"
        },
        {
            "slug": "swing-timing",
            "title": "Swing Timing: What the Notation Does Not Say",
            "dek": "Jazz notation asks for swing and leaves the ratio to the players, because the timing is tempo-dependent and a fixed written value would be wrong at most speeds.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "swing",
                "jazz",
                "rhythm"
            ],
            "level": "intermediate",
            "date": "2026-09-25",
            "updated": "2026-10-11",
            "words": 1338,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/swing-timing/",
            "markdown_url": "https://musics.name/articles/swing-timing.md",
            "json_url": "https://musics.name/api/article.json?slug=swing-timing",
            "excerpt": "A written instruction like swing or medium swing asks a player to change the placement of notes that are, on the page, perfectly even. That looks like an instruction with missing information, and it is one, deliberately. The missing information is the ratio…",
            "score": 26,
            "partial": false,
            "snippet": "A written instruction like swing or medium swing asks a player to change the placement of notes that are, on the page, perfectly even. That looks like an instruction with missing information, and it…"
        }
    ],
    "ranking": "Direct answers first (chord symbols, scale and key names are parsed). Then tools, keys, scales, chords, intervals, glossary and topics by title match; articles rank by title (12) > tags (6) > dek (5) > topic (3) > body frequency (max 6), +25 when every query token matches.",
    "html": "https://musics.name/search/?q=Subdivision",
    "generated_at": "2026-10-12T23:24:33+00:00"
}