{
    "query": "Scale",
    "count": 20,
    "count_indexed": 84,
    "total": 52,
    "lookups": [],
    "groups": [
        {
            "kind": "term",
            "label": "Glossary",
            "items": [
                {
                    "kind": "term",
                    "title": "Scale",
                    "url": "https://musics.name/glossary/scale/",
                    "description": "An ordered set of pitches within an octave, arranged by a pattern of steps that defines a key or a mode.",
                    "score": 56
                },
                {
                    "kind": "term",
                    "title": "Scale degree",
                    "url": "https://musics.name/glossary/scale-degree/",
                    "description": "The position of a note within a scale, numbered from the tonic as 1 through 7, used in solfège and Roman…",
                    "score": 30
                },
                {
                    "kind": "term",
                    "title": "Chord-scale theory",
                    "url": "https://musics.name/glossary/chord-scale/",
                    "description": "A method that pairs each chord symbol with a scale whose notes fit that chord, for improvising over a set of…",
                    "score": 16
                },
                {
                    "kind": "term",
                    "title": "Chromatic scale",
                    "url": "https://musics.name/glossary/chromatic-scale/",
                    "description": "A scale of all twelve semitones in an octave, built from half steps alone, with each pitch spelled by a sharp…",
                    "score": 16
                },
                {
                    "kind": "term",
                    "title": "Major scale",
                    "url": "https://musics.name/glossary/major-scale/",
                    "description": "A seven-note scale with the pattern whole, whole, half, whole, whole, whole, half, which is the basis of…",
                    "score": 16
                },
                {
                    "kind": "term",
                    "title": "Minor scale",
                    "url": "https://musics.name/glossary/minor-scale/",
                    "description": "A family of seven-note scales with a minor third above the tonic, existing in natural, harmonic and melodic…",
                    "score": 16
                },
                {
                    "kind": "term",
                    "title": "Octatonic scale",
                    "url": "https://musics.name/glossary/octatonic-scale/",
                    "description": "An eight-note scale that alternates whole and half steps, also called the diminished scale, such as C D E♭ F…",
                    "score": 16
                },
                {
                    "kind": "term",
                    "title": "Pentatonic scale",
                    "url": "https://musics.name/glossary/pentatonic-scale/",
                    "description": "A five-note scale per octave with no half steps, such as the major pentatonic C D E G A.",
                    "score": 16
                },
                {
                    "kind": "term",
                    "title": "Whole-tone scale",
                    "url": "https://musics.name/glossary/whole-tone-scale/",
                    "description": "A six-note scale built entirely of whole steps, such as C D E F♯ G♯ A♯, which divides the octave into equal…",
                    "score": 16
                },
                {
                    "kind": "term",
                    "title": "Diatonic",
                    "url": "https://musics.name/glossary/diatonic/",
                    "description": "Describes notes drawn from a single seven-note scale, such as the white keys of the piano, with no chromatic…",
                    "score": 5
                }
            ]
        },
        {
            "kind": "article",
            "label": "Articles",
            "items": [
                {
                    "kind": "article",
                    "title": "Chord-Scale Theory Explained: Which Scale Fits Which Chord",
                    "url": "https://musics.name/articles/chord-scale-theory/",
                    "description": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that diffe…",
                    "score": 54
                },
                {
                    "kind": "article",
                    "title": "The Major Scale Formula: Whole and Half Steps Explained",
                    "url": "https://musics.name/articles/major-scale-formula/",
                    "description": "The major scale is a fixed sequence of steps: whole, whole, half, whole, whole, whole, half. A whole step is two semitones and a half step is one. Start the pattern on any note and you have a major scale on that note. Th…",
                    "score": 54
                },
                {
                    "kind": "article",
                    "title": "Scale Degrees Explained: Numbers, Names and Solfège",
                    "url": "https://musics.name/articles/scale-degrees-and-solfege/",
                    "description": "A scale degree is a note’s position counted up from the tonic. The tonic is degree 1, the note the key is named for, and the fifth note of the major scale is degree 5, the dominant, whatever key you are in. Solfège attac…",
                    "score": 54
                },
                {
                    "kind": "article",
                    "title": "Natural, Harmonic and Melodic Minor Scales Compared",
                    "url": "https://musics.name/articles/natural-harmonic-melodic-minor/",
                    "description": "Major has one scale and minor has three, which strikes beginners as unfair. The minor mode is better understood as a single flexible system where the sixth and seventh degrees move up or down depending on what the music…",
                    "score": 54
                },
                {
                    "kind": "article",
                    "title": "Pentatonic and Blues Scales: Patterns With a Purpose",
                    "url": "https://musics.name/articles/pentatonic-and-blues-scales/",
                    "description": "…most sung tunes in the world use only five. The pentatonic scales explain why: remove the two most restless degrees from a seven-note scale and what remains is a collection where every note gets……",
                    "score": 54
                },
                {
                    "kind": "article",
                    "title": "Pythagorean Tuning: How Stacked Pure Fifths Build a Scale",
                    "url": "https://musics.name/articles/pythagorean-tuning/",
                    "description": "Pythagorean tuning builds a scale from one interval: the pure perfect fifth, with the frequency ratio 3:2. Stack fifths, fold each note back into a single octave, and every pitch becomes a ratio made only from the number…",
                    "score": 48
                },
                {
                    "kind": "article",
                    "title": "Diatonic Chords in Major and Minor Keys Explained",
                    "url": "https://musics.name/articles/diatonic-chords-in-major-and-minor/",
                    "description": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a different set, Am, B°, C,…",
                    "score": 42
                },
                {
                    "kind": "article",
                    "title": "Church Modes From Dorian to Locrian: A Practical Guide",
                    "url": "https://musics.name/articles/church-modes-dorian-to-locrian/",
                    "description": "Major and minor feel like the only options until a melody settles somewhere stranger. The church modes name those other settlements: six diatonic rotations, each with its own final, its own color…",
                    "score": 37
                },
                {
                    "kind": "article",
                    "title": "Roman Numeral Analysis: How to Label a Chord Progression",
                    "url": "https://musics.name/articles/roman-numeral-analysis/",
                    "description": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals descr…",
                    "score": 36
                },
                {
                    "kind": "article",
                    "title": "How to Transcribe Music by Ear: A Step-by-Step Procedure",
                    "url": "https://musics.name/articles/how-to-transcribe-music-by-ear/",
                    "description": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the…",
                    "score": 35
                },
                {
                    "kind": "article",
                    "title": "CAGED System Explained: Five Shapes That Cover the Neck",
                    "url": "https://musics.name/articles/caged-system-explained/",
                    "description": "The CAGED system treats the guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Chord Extensions Explained: Ninths, Elevenths and Thirteenths",
                    "url": "https://musics.name/articles/chord-extensions-ninths-elevenths-thirteenths/",
                    "description": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Ear Training for Intervals: A Method You Can Practise Daily",
                    "url": "https://musics.name/articles/ear-training-intervals-method/",
                    "description": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Relative and Parallel Keys Explained: Major and Minor Partners",
                    "url": "https://musics.name/articles/relative-and-parallel-keys/",
                    "description": "A major key has two minor partners that are easy to confuse. The relative minor uses the same key signature and starts a minor third below the major tonic: A minor for C major. The parallel minor…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Cadences: How Phrases End in Tonal Music",
                    "url": "https://musics.name/articles/cadences-and-phrase-endings/",
                    "description": "Music has punctuation, and it is made of harmony. A phrase ends when the harmony, the bass, the metre and the melody all agree that something has finished. That agreement is a cadence, and its…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Functional Harmony: Tonic, Predominant, Dominant",
                    "url": "https://musics.name/articles/functional-harmony/",
                    "description": "A chord chart tells you which chords a piece uses. It does not tell you why the piece moves. The labels tonic, predominant and dominant answer the second question: they describe what a chord does to…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Key Signatures and the Order of Sharps and Flats",
                    "url": "https://musics.name/articles/key-signatures-order-of-sharps-and-flats/",
                    "description": "The accidentals in a key signature never appear in an arbitrary order. Sharps are added one at a time as F, C, G, D, A, E, B. Flats are added as B, E, A, D, G, C, F. Both lists are the circle of…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Seventh Chords and How They Resolve in Tonal Harmony",
                    "url": "https://musics.name/articles/seventh-chords-and-resolution/",
                    "description": "Adding a seventh to a triad changes what the chord is for. A triad can sit still; a seventh chord cannot, because the added note is a dissonance with a destination. That single fact explains the…",
                    "score": 31
                },
                {
                    "kind": "article",
                    "title": "Time Signatures Explained: Simple, Compound and Beyond",
                    "url": "https://musics.name/articles/time-signatures-explained/",
                    "description": "A time signature has two numbers. The top number is the count of beats in each bar, and the bottom number names the note value that counts as one unit. In 3/4 a bar holds three quarter-note beats. In…",
                    "score": 30
                },
                {
                    "kind": "article",
                    "title": "After Tonality: What Composers Replaced It With",
                    "url": "https://musics.name/articles/music-after-tonality/",
                    "description": "The tonal system was not abandoned because composers got bored of it. It was abandoned, in a handful of works written between roughly 1908 and 1923, because the chromatic language that had been built…",
                    "score": 30
                }
            ]
        },
        {
            "kind": "tool",
            "label": "Tools",
            "items": [
                {
                    "kind": "tool",
                    "title": "Scale Finder",
                    "url": "https://musics.name/tools/scale-finder/",
                    "description": "Show any of 21 scales and modes with its spelled notes, step pattern and diatonic sevenths, or select keys…",
                    "score": 30
                }
            ]
        },
        {
            "kind": "page",
            "label": "Pages",
            "items": [
                {
                    "kind": "page",
                    "title": "Scales",
                    "url": "https://musics.name/scales/",
                    "description": "Modes, minor, pentatonic, blues and more, in every key.",
                    "score": 25
                }
            ]
        },
        {
            "kind": "scale",
            "label": "Scales",
            "items": [
                {
                    "kind": "scale",
                    "title": "Altered scale",
                    "url": "https://musics.name/scales/altered/",
                    "description": "The altered scale: the seventh mode of melodic minor, with the second through seventh lowered, used over dominant sevenths in jazz.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Bebop dominant scale",
                    "url": "https://musics.name/scales/bebop-dominant/",
                    "description": "Bebop dominant: Mixolydian with an added major seventh passing tone, so chord tones fall on strong beats in eighth-note lines.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Blues scale",
                    "url": "https://musics.name/scales/blues/",
                    "description": "The blues scale: the minor pentatonic with a flat fifth added, six notes whose blue note adds the tension of blues and rock melody.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Diminished (half–whole) scale",
                    "url": "https://musics.name/scales/diminished-half-whole/",
                    "description": "Half-whole diminished: eight notes alternating half and whole steps, built from two diminished sevenths and used over dominant sevenths.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Diminished (whole–half) scale",
                    "url": "https://musics.name/scales/diminished-whole-half/",
                    "description": "Whole-half diminished: eight notes alternating whole and half steps, built from two diminished seventh chords, used over dominant sevenths.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Dorian scale",
                    "url": "https://musics.name/scales/dorian/",
                    "description": "Dorian: a minor scale with a raised sixth, the second mode of the major pattern, minor in color yet lighter than natural minor.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Double harmonic major scale",
                    "url": "https://musics.name/scales/double-harmonic/",
                    "description": "Double harmonic major: seven notes with a flat second and flat sixth, built from two identical tetrachords, with a strongly exotic sound.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Harmonic minor scale",
                    "url": "https://musics.name/scales/harmonic-minor/",
                    "description": "Harmonic minor: natural minor with a raised seventh, giving a leading tone, a major dominant, and the augmented second that sets its sound apart.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Hungarian minor scale",
                    "url": "https://musics.name/scales/hungarian-minor/",
                    "description": "Hungarian minor: harmonic minor with a raised fourth, two augmented seconds, and an angular sound common in folk-inspired writing.",
                    "score": 16
                },
                {
                    "kind": "scale",
                    "title": "Locrian scale",
                    "url": "https://musics.name/scales/locrian/",
                    "description": "Locrian: the seventh mode of the major pattern, with a lowered second and fifth and a diminished tonic triad that resists being a home.",
                    "score": 16
                }
            ]
        },
        {
            "kind": "key",
            "label": "Key guides",
            "items": [
                {
                    "kind": "key",
                    "title": "A major key",
                    "url": "https://musics.name/keys/a-major/",
                    "description": "Three sharps · relative F♯ minor",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "A minor key",
                    "url": "https://musics.name/keys/a-minor/",
                    "description": "No sharps or flats · relative C major",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "A♭ major key",
                    "url": "https://musics.name/keys/a-flat-major/",
                    "description": "Four flats · relative F minor",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "B major key",
                    "url": "https://musics.name/keys/b-major/",
                    "description": "Five sharps · relative G♯ minor",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "B minor key",
                    "url": "https://musics.name/keys/b-minor/",
                    "description": "Two sharps · relative D major",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "B♭ major key",
                    "url": "https://musics.name/keys/b-flat-major/",
                    "description": "Two flats · relative G minor",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "B♭ minor key",
                    "url": "https://musics.name/keys/b-flat-minor/",
                    "description": "Five flats · relative D♭ major",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "C major key",
                    "url": "https://musics.name/keys/c-major/",
                    "description": "No sharps or flats · relative A minor",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "C minor key",
                    "url": "https://musics.name/keys/c-minor/",
                    "description": "Three flats · relative E♭ major",
                    "score": 5
                },
                {
                    "kind": "key",
                    "title": "C♯ minor key",
                    "url": "https://musics.name/keys/c-sharp-minor/",
                    "description": "Four sharps · relative E major",
                    "score": 5
                }
            ]
        }
    ],
    "results": [
        {
            "slug": "chord-scale-theory",
            "title": "Chord-Scale Theory Explained: Which Scale Fits Which Chord",
            "dek": "Chord-scale theory pairs each chord quality with a scale whose notes fit it. This article gives the pairings, the spellings in C, and the notes to avoid.",
            "topic": "jazz",
            "topic_name": "Jazz & Popular Harmony",
            "tags": [
                "chord-scale theory",
                "improvisation",
                "modes"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1393,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/chord-scale-theory/",
            "markdown_url": "https://musics.name/articles/chord-scale-theory.md",
            "json_url": "https://musics.name/api/article.json?slug=chord-scale-theory",
            "excerpt": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that differ from the chord tones show which ones…",
            "score": 54,
            "partial": false,
            "snippet": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that diffe…"
        },
        {
            "slug": "major-scale-formula",
            "title": "The Major Scale Formula: Whole and Half Steps Explained",
            "dek": "The major scale is seven notes spaced whole, whole, half, whole, whole, whole, half. Here is the formula, four scales built from it, and the sharps and flats it forces.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "major scale",
                "scale",
                "intervals",
                "key signature"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1384,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/major-scale-formula/",
            "markdown_url": "https://musics.name/articles/major-scale-formula.md",
            "json_url": "https://musics.name/api/article.json?slug=major-scale-formula",
            "excerpt": "The major scale is a fixed sequence of steps: whole, whole, half, whole, whole, whole, half. A whole step is two semitones and a half step is one. Start the pattern on any note and you have a major scale on that note. The pattern does not change, so the notes…",
            "score": 54,
            "partial": false,
            "snippet": "The major scale is a fixed sequence of steps: whole, whole, half, whole, whole, whole, half. A whole step is two semitones and a half step is one. Start the pattern on any note and you have a major scale on that note. Th…"
        },
        {
            "slug": "scale-degrees-and-solfege",
            "title": "Scale Degrees Explained: Numbers, Names and Solfège",
            "dek": "Scale degrees number each note of a scale from its tonic, and solfège names the same positions do, re, mi. Degree names, movable and fixed do, and why degrees travel between keys.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "scale degree",
                "solfege",
                "tonic",
                "ear training"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1349,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/scale-degrees-and-solfege/",
            "markdown_url": "https://musics.name/articles/scale-degrees-and-solfege.md",
            "json_url": "https://musics.name/api/article.json?slug=scale-degrees-and-solfege",
            "excerpt": "A scale degree is a note’s position counted up from the tonic. The tonic is degree 1, the note the key is named for, and the fifth note of the major scale is degree 5, the dominant, whatever key you are in. Solfège attaches syllables to those positions…",
            "score": 54,
            "partial": false,
            "snippet": "A scale degree is a note’s position counted up from the tonic. The tonic is degree 1, the note the key is named for, and the fifth note of the major scale is degree 5, the dominant, whatever key you are in. Solfège attac…"
        },
        {
            "slug": "natural-harmonic-melodic-minor",
            "title": "Natural, Harmonic and Melodic Minor Scales Compared",
            "dek": "Three minor scales, three different jobs. What each form changes, why composers switch between them, and how to hear the difference.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "minor scales",
                "melody",
                "tonality"
            ],
            "level": "intro",
            "date": "2026-10-04",
            "updated": null,
            "words": 1239,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/natural-harmonic-melodic-minor/",
            "markdown_url": "https://musics.name/articles/natural-harmonic-melodic-minor.md",
            "json_url": "https://musics.name/api/article.json?slug=natural-harmonic-melodic-minor",
            "excerpt": "Major has one scale and minor has three, which strikes beginners as unfair. The minor mode is better understood as a single flexible system where the sixth and seventh degrees move up or down depending on what the music needs. The three named forms are…",
            "score": 54,
            "partial": false,
            "snippet": "Major has one scale and minor has three, which strikes beginners as unfair. The minor mode is better understood as a single flexible system where the sixth and seventh degrees move up or down depending on what the music…"
        },
        {
            "slug": "pentatonic-and-blues-scales",
            "title": "Pentatonic and Blues Scales: Patterns With a Purpose",
            "dek": "Major and minor pentatonics plus the blues scale: the patterns, the blue notes, and why five notes carry so much melody.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "pentatonic",
                "blues scale",
                "improvisation"
            ],
            "level": "intro",
            "date": "2026-10-04",
            "updated": null,
            "words": 1192,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/pentatonic-and-blues-scales/",
            "markdown_url": "https://musics.name/articles/pentatonic-and-blues-scales.md",
            "json_url": "https://musics.name/api/article.json?slug=pentatonic-and-blues-scales",
            "excerpt": "Five notes should not be enough for a melody, yet some of the most sung tunes in the world use only five. The pentatonic scales explain why: remove the two most restless degrees from a seven-note scale and what remains is a collection where every note gets…",
            "score": 54,
            "partial": false,
            "snippet": "…most sung tunes in the world use only five. The pentatonic scales explain why: remove the two most restless degrees from a seven-note scale and what remains is a collection where every note gets……"
        },
        {
            "slug": "pythagorean-tuning",
            "title": "Pythagorean Tuning: How Stacked Pure Fifths Build a Scale",
            "dek": "Pythagorean tuning builds every interval from pure 3:2 fifths. Here is the seven-note scale it produces, its whole tones and semitones in cents, and the wolf fifth it leaves behind.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "pythagorean tuning",
                "just fifths",
                "temperament"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1484,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/pythagorean-tuning/",
            "markdown_url": "https://musics.name/articles/pythagorean-tuning.md",
            "json_url": "https://musics.name/api/article.json?slug=pythagorean-tuning",
            "excerpt": "Pythagorean tuning builds a scale from one interval: the pure perfect fifth, with the frequency ratio 3:2. Stack fifths, fold each note back into a single octave, and every pitch becomes a ratio made only from the numbers 2 and 3. The whole tone is 9:8, or…",
            "score": 48,
            "partial": false,
            "snippet": "Pythagorean tuning builds a scale from one interval: the pure perfect fifth, with the frequency ratio 3:2. Stack fifths, fold each note back into a single octave, and every pitch becomes a ratio made only from the number…"
        },
        {
            "slug": "diatonic-chords-in-major-and-minor",
            "title": "Diatonic Chords in Major and Minor Keys Explained",
            "dek": "Diatonic chords are the triads built on each scale degree from the key's own notes. Here are their qualities in major and minor, worked out in C and A.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "diatonic harmony",
                "triads",
                "scale degrees"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1432,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/diatonic-chords-in-major-and-minor/",
            "markdown_url": "https://musics.name/articles/diatonic-chords-in-major-and-minor.md",
            "json_url": "https://musics.name/api/article.json?slug=diatonic-chords-in-major-and-minor",
            "excerpt": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a different set, Am, B°, C, Dm, Em, F and G, and the harmonic minor…",
            "score": 42,
            "partial": false,
            "snippet": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a different set, Am, B°, C,…"
        },
        {
            "slug": "church-modes-dorian-to-locrian",
            "title": "Church Modes From Dorian to Locrian: A Practical Guide",
            "dek": "Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian explained by pattern and color, with hearing tips and modern uses.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "modes",
                "scales",
                "melody"
            ],
            "level": "intermediate",
            "date": "2026-10-04",
            "updated": null,
            "words": 1307,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/church-modes-dorian-to-locrian/",
            "markdown_url": "https://musics.name/articles/church-modes-dorian-to-locrian.md",
            "json_url": "https://musics.name/api/article.json?slug=church-modes-dorian-to-locrian",
            "excerpt": "Major and minor feel like the only options until a melody settles somewhere stranger. The church modes name those other settlements: six diatonic rotations, each with its own final, its own color notes, and its own repertoire from chant to jazz. #The seven…",
            "score": 37,
            "partial": false,
            "snippet": "Major and minor feel like the only options until a melody settles somewhere stranger. The church modes name those other settlements: six diatonic rotations, each with its own final, its own color…"
        },
        {
            "slug": "roman-numeral-analysis",
            "title": "Roman Numeral Analysis: How to Label a Chord Progression",
            "dek": "Roman numerals label each chord by the scale degree of its root and its quality. Here is a step-by-step method, with I vi IV V worked in C and G.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "roman numerals",
                "harmonic analysis",
                "chord progressions"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1430,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/roman-numeral-analysis/",
            "markdown_url": "https://musics.name/articles/roman-numeral-analysis.md",
            "json_url": "https://musics.name/api/article.json?slug=roman-numeral-analysis",
            "excerpt": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals describe how each chord relates to the key…",
            "score": 36,
            "partial": false,
            "snippet": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals descr…"
        },
        {
            "slug": "how-to-transcribe-music-by-ear",
            "title": "How to Transcribe Music by Ear: A Step-by-Step Procedure",
            "dek": "Transcribe by ear in a fixed order: key and bass first, then chords by root and quality, then the melody by scale degree, and rhythm last.",
            "topic": "practice",
            "topic_name": "Ear Training & Practice",
            "tags": [
                "transcription",
                "ear training",
                "harmony"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1374,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/how-to-transcribe-music-by-ear/",
            "markdown_url": "https://musics.name/articles/how-to-transcribe-music-by-ear.md",
            "json_url": "https://musics.name/api/article.json?slug=how-to-transcribe-music-by-ear",
            "excerpt": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the chords as Roman numerals so the result transposes, and keep a…",
            "score": 35,
            "partial": false,
            "snippet": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the…"
        },
        {
            "slug": "caged-system-explained",
            "title": "CAGED System Explained: Five Shapes That Cover the Neck",
            "dek": "CAGED turns five open chords into movable shapes. This explains how the shapes connect, how to name a moved chord from its root string, and how to find one chord in several places.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "caged system",
                "chord shapes",
                "fretboard"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1439,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/caged-system-explained/",
            "markdown_url": "https://musics.name/articles/caged-system-explained.md",
            "json_url": "https://musics.name/api/article.json?slug=caged-system-explained",
            "excerpt": "The CAGED system treats the guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a different chord, so every major chord has a fingering in each of…",
            "score": 31,
            "partial": false,
            "snippet": "The CAGED system treats the guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a…"
        },
        {
            "slug": "chord-extensions-ninths-elevenths-thirteenths",
            "title": "Chord Extensions Explained: Ninths, Elevenths and Thirteenths",
            "dek": "Ninths, elevenths and thirteenths are chord tones stacked above the seventh. Which of them fit a chord depends on its quality, and some clash with the third.",
            "topic": "jazz",
            "topic_name": "Jazz & Popular Harmony",
            "tags": [
                "chord extensions",
                "jazz harmony",
                "ninth chords"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1403,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/chord-extensions-ninths-elevenths-thirteenths/",
            "markdown_url": "https://musics.name/articles/chord-extensions-ninths-elevenths-thirteenths.md",
            "json_url": "https://musics.name/api/article.json?slug=chord-extensions-ninths-elevenths-thirteenths",
            "excerpt": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension, and the notes below it are implied: C13 includes the seventh…",
            "score": 31,
            "partial": false,
            "snippet": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension…"
        },
        {
            "slug": "ear-training-intervals-method",
            "title": "Ear Training for Intervals: A Method You Can Practise Daily",
            "dek": "Interval recognition comes faster with a method: three intervals tied to a tonic, sung before they are named, and a short daily routine you can keep.",
            "topic": "practice",
            "topic_name": "Ear Training & Practice",
            "tags": [
                "ear training",
                "intervals",
                "solfège"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1390,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/ear-training-intervals-method/",
            "markdown_url": "https://musics.name/articles/ear-training-intervals-method.md",
            "json_url": "https://musics.name/api/article.json?slug=ear-training-intervals-method",
            "excerpt": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are reliable in random order. Practise for about ten minutes a day…",
            "score": 31,
            "partial": false,
            "snippet": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are…"
        },
        {
            "slug": "relative-and-parallel-keys",
            "title": "Relative and Parallel Keys Explained: Major and Minor Partners",
            "dek": "A major key has two close minor partners. The relative minor shares its key signature, the parallel minor shares its tonic, and each pair connects keys in a different way.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "relative key",
                "parallel key",
                "minor key",
                "key signature"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1390,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/relative-and-parallel-keys/",
            "markdown_url": "https://musics.name/articles/relative-and-parallel-keys.md",
            "json_url": "https://musics.name/api/article.json?slug=relative-and-parallel-keys",
            "excerpt": "A major key has two minor partners that are easy to confuse. The relative minor uses the same key signature and starts a minor third below the major tonic: A minor for C major. The parallel minor starts on the same tonic and changes the mode: C minor for C…",
            "score": 31,
            "partial": false,
            "snippet": "A major key has two minor partners that are easy to confuse. The relative minor uses the same key signature and starts a minor third below the major tonic: A minor for C major. The parallel minor…"
        },
        {
            "slug": "cadences-and-phrase-endings",
            "title": "Cadences: How Phrases End in Tonal Music",
            "dek": "Authentic, half, plagal and deceptive cadences, and the real reason a close sounds strong: what happens in the bass, the top voice and the metre.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "cadence",
                "phrase structure",
                "tonality"
            ],
            "level": "intro",
            "date": "2026-09-25",
            "updated": null,
            "words": 1300,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/cadences-and-phrase-endings/",
            "markdown_url": "https://musics.name/articles/cadences-and-phrase-endings.md",
            "json_url": "https://musics.name/api/article.json?slug=cadences-and-phrase-endings",
            "excerpt": "Music has punctuation, and it is made of harmony. A phrase ends when the harmony, the bass, the metre and the melody all agree that something has finished. That agreement is a cadence, and its strength is not a matter of taste: it comes from four or five…",
            "score": 31,
            "partial": false,
            "snippet": "Music has punctuation, and it is made of harmony. A phrase ends when the harmony, the bass, the metre and the melody all agree that something has finished. That agreement is a cadence, and its…"
        },
        {
            "slug": "functional-harmony",
            "title": "Functional Harmony: Tonic, Predominant, Dominant",
            "dek": "Tonic, predominant and dominant describe what a chord does to a phrase rather than what it is. This is how the three harmonic jobs divide the work.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "chord function",
                "tonality",
                "harmonic analysis"
            ],
            "level": "intro",
            "date": "2026-09-25",
            "updated": null,
            "words": 1330,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/functional-harmony/",
            "markdown_url": "https://musics.name/articles/functional-harmony.md",
            "json_url": "https://musics.name/api/article.json?slug=functional-harmony",
            "excerpt": "A chord chart tells you which chords a piece uses. It does not tell you why the piece moves. The labels tonic, predominant and dominant answer the second question: they describe what a chord does to the phrase it sits in, not what notes it happens to contain…",
            "score": 31,
            "partial": false,
            "snippet": "A chord chart tells you which chords a piece uses. It does not tell you why the piece moves. The labels tonic, predominant and dominant answer the second question: they describe what a chord does to…"
        },
        {
            "slug": "key-signatures-order-of-sharps-and-flats",
            "title": "Key Signatures and the Order of Sharps and Flats",
            "dek": "Sharps arrive in the order F C G D A E B and flats in reverse. The order is the circle of fifths written out, one signature at a time.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "key signatures",
                "notation",
                "circle of fifths"
            ],
            "level": "intro",
            "date": "2026-09-25",
            "updated": null,
            "words": 1522,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/key-signatures-order-of-sharps-and-flats/",
            "markdown_url": "https://musics.name/articles/key-signatures-order-of-sharps-and-flats.md",
            "json_url": "https://musics.name/api/article.json?slug=key-signatures-order-of-sharps-and-flats",
            "excerpt": "The accidentals in a key signature never appear in an arbitrary order. Sharps are added one at a time as F, C, G, D, A, E, B. Flats are added as B, E, A, D, G, C, F. Both lists are the circle of fifths spelled out, and the reason they are constant is that…",
            "score": 31,
            "partial": false,
            "snippet": "The accidentals in a key signature never appear in an arbitrary order. Sharps are added one at a time as F, C, G, D, A, E, B. Flats are added as B, E, A, D, G, C, F. Both lists are the circle of…"
        },
        {
            "slug": "seventh-chords-and-resolution",
            "title": "Seventh Chords and How They Resolve in Tonal Harmony",
            "dek": "The chordal seventh falls, the leading tone rises, and the tritone at the centre of V7 resolves by step. What each diatonic seventh chord is for.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "seventh chords",
                "dominant seventh",
                "resolution"
            ],
            "level": "intermediate",
            "date": "2026-09-25",
            "updated": null,
            "words": 1458,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/seventh-chords-and-resolution/",
            "markdown_url": "https://musics.name/articles/seventh-chords-and-resolution.md",
            "json_url": "https://musics.name/api/article.json?slug=seventh-chords-and-resolution",
            "excerpt": "Adding a seventh to a triad changes what the chord is for. A triad can sit still; a seventh chord cannot, because the added note is a dissonance with a destination. That single fact explains the behaviour of every diatonic seventh chord in tonal music…",
            "score": 31,
            "partial": false,
            "snippet": "Adding a seventh to a triad changes what the chord is for. A triad can sit still; a seventh chord cannot, because the added note is a dissonance with a destination. That single fact explains the…"
        },
        {
            "slug": "time-signatures-explained",
            "title": "Time Signatures Explained: Simple, Compound and Beyond",
            "dek": "A time signature gives beats per bar and the note value that counts as one beat. Simple meters split each beat in two, compound meters split it in three.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "time signature",
                "meter",
                "beat"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1520,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/time-signatures-explained/",
            "markdown_url": "https://musics.name/articles/time-signatures-explained.md",
            "json_url": "https://musics.name/api/article.json?slug=time-signatures-explained",
            "excerpt": "A time signature has two numbers. The top number is the count of beats in each bar, and the bottom number names the note value that counts as one unit. In 3/4 a bar holds three quarter-note beats. In 6/8 it holds six eighth-note units, which listeners usually…",
            "score": 30,
            "partial": false,
            "snippet": "A time signature has two numbers. The top number is the count of beats in each bar, and the bottom number names the note value that counts as one unit. In 3/4 a bar holds three quarter-note beats. In…"
        },
        {
            "slug": "music-after-tonality",
            "title": "After Tonality: What Composers Replaced It With",
            "dek": "When chromatic harmony outgrew the tonal hierarchy, composers tried serial rules, rhythm, folk modes, and sound mass. What each method actually solved.",
            "topic": "history",
            "topic_name": "Music History",
            "tags": [
                "atonality",
                "serialism",
                "modernism"
            ],
            "level": "advanced",
            "date": "2026-09-25",
            "updated": null,
            "words": 1482,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/music-after-tonality/",
            "markdown_url": "https://musics.name/articles/music-after-tonality.md",
            "json_url": "https://musics.name/api/article.json?slug=music-after-tonality",
            "excerpt": "The tonal system was not abandoned because composers got bored of it. It was abandoned, in a handful of works written between roughly 1908 and 1923, because the chromatic language that had been built on top of it could no longer be explained by it. What…",
            "score": 30,
            "partial": false,
            "snippet": "The tonal system was not abandoned because composers got bored of it. It was abandoned, in a handful of works written between roughly 1908 and 1923, because the chromatic language that had been built…"
        }
    ],
    "ranking": "Direct answers first (chord symbols, scale and key names are parsed). Then tools, keys, scales, chords, intervals, glossary and topics by title match; articles rank by title (12) > tags (6) > dek (5) > topic (3) > body frequency (max 6), +25 when every query token matches.",
    "html": "https://musics.name/search/?q=Scale",
    "generated_at": "2026-10-13T20:44:21+00:00"
}