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            "excerpt": "Long finales can feel like one bright passage after another with no landmarks. Rondo form fixes that listening problem by returning to a familiar refrain between contrasting episodes, so the shape of the movement stays clear from start to finish. #How rondo…",
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            "topic": "form",
            "topic_name": "Form",
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            "excerpt": "Ask someone to explain sonata form and you will get a diagram: exposition, development, recapitulation, with an optional introduction and coda, and a list of themes labelled first and second. The diagram is not wrong, but it describes the surface. What holds…",
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            "topic": "guitar",
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            "tags": [
                "barre chord",
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            "excerpt": "A barre chord is an open chord played higher on the neck, with one finger lying across several strings to take the place of the nut. The E shape and the A shape are the two to learn first, because each one is an open chord whose root sits on a known string…",
            "score": 29,
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            "snippet": "A barre chord is an open chord played higher on the neck, with one finger lying across several strings to take the place of the nut. The E shape and the A shape are the two to learn first, because each one is an open cho…"
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            "title": "Chord Extensions Explained: Ninths, Elevenths and Thirteenths",
            "dek": "Ninths, elevenths and thirteenths are chord tones stacked above the seventh. Which of them fit a chord depends on its quality, and some clash with the third.",
            "topic": "jazz",
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            "excerpt": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension, and the notes below it are implied: C13 includes the seventh…",
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            "snippet": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension, and the notes below i…"
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            "dek": "Chord-scale theory pairs each chord quality with a scale whose notes fit it. This article gives the pairings, the spellings in C, and the notes to avoid.",
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            "excerpt": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that differ from the chord tones show which ones…",
            "score": 29,
            "partial": true,
            "snippet": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that diffe…"
        },
        {
            "slug": "chord-symbols-explained",
            "title": "Chord Symbols Explained: Major, Minor, Seventh and Slash Chords",
            "dek": "A chord symbol names the root, the quality, the extra notes and the bass. Here is how to read Cmaj7, C7, Cm7, C/E and C7b9, and the notes each one contains.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "chord symbols",
                "lead sheet",
                "seventh chords"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1506,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/chord-symbols-explained/",
            "markdown_url": "https://musics.name/articles/chord-symbols-explained.md",
            "json_url": "https://musics.name/api/article.json?slug=chord-symbols-explained",
            "excerpt": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and Cmaj7 adds a major seventh (B). Each symbol is a short…",
            "score": 29,
            "partial": true,
            "snippet": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and Cmaj7 adds a major sevent…"
        },
        {
            "slug": "common-chord-progressions",
            "title": "Common Chord Progressions: Loops, Numerals and Why They Work",
            "dek": "The chord loops that songwriters reuse most, in Roman numerals and in the keys of C and G, with the reasons they work and how to vary them.",
            "topic": "songwriting",
            "topic_name": "Songwriting & Composition",
            "tags": [
                "chord progression",
                "songwriting",
                "roman numerals"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1470,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/common-chord-progressions/",
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            "json_url": "https://musics.name/api/article.json?slug=common-chord-progressions",
            "excerpt": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least some of the time, neighbouring chords share notes, and the…",
            "score": 29,
            "partial": true,
            "snippet": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least some of the time, neigh…"
        },
        {
            "slug": "how-to-write-a-melody-over-chords",
            "title": "How to Write a Melody Over Chords, Note by Note",
            "dek": "Put chord tones on strong beats, approach tension notes by step, and keep the line singable. A worked melody over C, G, Am and F shows each choice.",
            "topic": "songwriting",
            "topic_name": "Songwriting & Composition",
            "tags": [
                "melody writing",
                "chord tones",
                "songwriting"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1456,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/how-to-write-a-melody-over-chords/",
            "markdown_url": "https://musics.name/articles/how-to-write-a-melody-over-chords.md",
            "json_url": "https://musics.name/api/article.json?slug=how-to-write-a-melody-over-chords",
            "excerpt": "A melody over chords works when its strong beats agree with the harmony and its weak beats move by step. Chord tones on the strong beats tell the listener which chord is sounding, and the notes between them give the line its direction. The worked example…",
            "score": 29,
            "partial": true,
            "snippet": "A melody over chords works when its strong beats agree with the harmony and its weak beats move by step. Chord tones on the strong beats tell the listener which chord is sounding, and the notes between them give the line…"
        },
        {
            "slug": "jazz-chord-voicings-shell-and-rootless",
            "title": "Jazz Chord Voicings: Shell and Rootless Voicings Explained",
            "dek": "Shell and rootless voicings keep the third and seventh of each chord and leave room for a bass player. Worked examples use Dm7, G7 and Cmaj7.",
            "topic": "jazz",
            "topic_name": "Jazz & Popular Harmony",
            "tags": [
                "chord voicing",
                "jazz harmony",
                "guide tones"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1454,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/jazz-chord-voicings-shell-and-rootless/",
            "markdown_url": "https://musics.name/articles/jazz-chord-voicings-shell-and-rootless.md",
            "json_url": "https://musics.name/api/article.json?slug=jazz-chord-voicings-shell-and-rootless",
            "excerpt": "A shell voicing is three notes: the root, the third and the seventh of a chord. A rootless voicing drops the root as well, and often the fifth, and builds on the third or the seventh instead. Both keep the notes that define the chord’s quality, so the harmony…",
            "score": 29,
            "partial": true,
            "snippet": "…ng is three notes: the root, the third and the seventh of a chord. A rootless voicing drops the root as well, and often the fifth, and builds on the third or the seventh instead. Both keep the notes that define the chord…"
        },
        {
            "slug": "non-chord-tones",
            "title": "Non-Chord Tones: Passing, Neighbour, Suspension and More",
            "dek": "A non-chord tone is a note that sounds over a chord without belonging to it. Here are the main types, how each is approached and left, and how to write them.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "non-chord tones",
                "melody",
                "voice leading"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1437,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/non-chord-tones/",
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            "json_url": "https://musics.name/api/article.json?slug=non-chord-tones",
            "excerpt": "A non-chord tone is a note that sounds over a chord without belonging to it. Its type is set by how it is approached and how it leaves: passing and neighbour tones move by step, appoggiaturas arrive by leap and leave by step, escape tones leave by leap, and…",
            "score": 29,
            "partial": true,
            "snippet": "A non-chord tone is a note that sounds over a chord without belonging to it. Its type is set by how it is approached and how it leaves: passing and neighbour tones move by step, appoggiaturas arrive by leap and leave by…"
        },
        {
            "slug": "reading-guitar-tabs-and-chord-diagrams",
            "title": "Reading Guitar Tabs and Chord Diagrams for Beginners",
            "dek": "Tab shows strings and frets rather than pitch names, and a chord diagram is a small grid of the same information. This explains both, with an arpeggio you can check against the fretboard.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "guitar tablature",
                "chord diagrams",
                "notation"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1353,
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            "url": "https://musics.name/articles/reading-guitar-tabs-and-chord-diagrams/",
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            "json_url": "https://musics.name/api/article.json?slug=reading-guitar-tabs-and-chord-diagrams",
            "excerpt": "Guitar tablature is a set of six horizontal lines, one for each string, with a fret number written on the line where a note is played. The top line is the high E string and the bottom line is the low E string. A chord diagram is a small vertical grid in which…",
            "score": 29,
            "partial": true,
            "snippet": "…he high E string and the bottom line is the low E string. A chord diagram is a small vertical grid in which……"
        },
        {
            "slug": "roman-numeral-analysis",
            "title": "Roman Numeral Analysis: How to Label a Chord Progression",
            "dek": "Roman numerals label each chord by the scale degree of its root and its quality. Here is a step-by-step method, with I vi IV V worked in C and G.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "roman numerals",
                "harmonic analysis",
                "chord progressions"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1430,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/roman-numeral-analysis/",
            "markdown_url": "https://musics.name/articles/roman-numeral-analysis.md",
            "json_url": "https://musics.name/api/article.json?slug=roman-numeral-analysis",
            "excerpt": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals describe how each chord relates to the key…",
            "score": 29,
            "partial": true,
            "snippet": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals descr…"
        }
    ],
    "ranking": "Direct answers first (chord symbols, scale and key names are parsed). Then tools, keys, scales, chords, intervals, glossary and topics by title match; articles rank by title (12) > tags (6) > dek (5) > topic (3) > body frequency (max 6), +25 when every query token matches.",
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    "generated_at": "2026-10-13T23:59:14+00:00"
}