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            "excerpt": "An F minor triad in C major requires an A flat, which the key signature does not give. Unlike a secondary dominant, the chord is not pointing at another key: F minor is the subdominant of C minor, and C minor is C major’s parallel mode. The tonic has not…",
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            "excerpt": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least some of the time, neighbouring chords share notes, and the…",
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            "title": "Augmented Sixth Chords: Italian, French and German Types",
            "dek": "Italian, French and German sixth chords: how each type is built, how they resolve to V, and their use in enharmonic modulation.",
            "topic": "harmony",
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                "augmented sixth",
                "chromatic harmony",
                "modulation"
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            "excerpt": "Some chords exist for a single gesture: two voices stretching outward to an octave. The augmented sixth family turns that gesture into three distinct sonorities, each with its own color, its own resolution habits, and its own role in reaching the dominant…",
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            "snippet": "Some chords exist for a single gesture: two voices stretching outward to an octave. The augmented sixth family turns that gesture into three distinct sonorities, each with its own color, its own…"
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            "title": "Suspended Chords: Sus2 and Sus4 Explained",
            "dek": "A sus chord swaps the third of a triad for the second or fourth. Here is what Csus2 and Csus4 contain, why neither is major or minor, and how they resolve.",
            "topic": "harmony",
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            "excerpt": "A suspended chord replaces the third of a triad with the second or the fourth. Csus4 is C, F and G, and Csus2 is C, D and G. With no third, neither chord is major or minor, which gives them an open sound that the ear hears as incomplete until the third…",
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            "snippet": "A suspended chord replaces the third of a triad with the second or the fourth. Csus4 is C, F and G, and Csus2 is C, D and G. With no third, neither chord is major or minor, which gives them an open…"
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            "title": "Baroque Ornamentation: Trills, Mordents and Turns",
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            "topic": "history",
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            "tags": [
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                "performance practice"
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            "excerpt": "Baroque scores look plain because the decoration lives in symbols and conventions, not in the notes. Trills, mordents, turns, and appoggiaturas transform skeletal lines into singing ones, but only when executed the way the style expects: on the beat, with the…",
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            "snippet": "Baroque scores look plain because the decoration lives in symbols and conventions, not in the notes. Trills, mordents, turns, and appoggiaturas transform skeletal lines into singing ones, but only…"
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            "title": "Canon Types and Techniques: Rounds to Crab Canons",
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                "musical form",
                "classical style"
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            "title": "Triads and Inversions: Root Position, Sixth, Six-Four",
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            "topic": "harmony",
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                "inversions",
                "figured bass"
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            "excerpt": "Three notes can sit in any vertical order, yet harmony treats the arrangements differently. Triads and inversions are the study of which chord member stands in the bass and why that choice changes the weight, the direction, and the manners of the harmony…",
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            "title": "Imitation and Invertible Counterpoint",
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            "topic": "counterpoint",
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                "invertible counterpoint"
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            "excerpt": "Two melodies that have nothing to do with each other can still be written together correctly, and the result will often sound like two people talking past each other. Imitation is the oldest solution to that problem: the second voice takes up the first…",
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            "snippet": "Two melodies that have nothing to do with each other can still be written together correctly, and the result will often sound like two people talking past each other. Imitation is the oldest solution…"
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