{
    "query": "Open tuning",
    "count": 20,
    "count_indexed": 84,
    "total": 21,
    "lookups": [],
    "groups": [
        {
            "kind": "term",
            "label": "Glossary",
            "items": [
                {
                    "kind": "term",
                    "title": "Open tuning",
                    "url": "https://musics.name/glossary/open-tuning/",
                    "description": "A guitar tuning in which the open strings sound a chord, so strumming without fretting produces a full chord.",
                    "score": 72
                }
            ]
        },
        {
            "kind": "article",
            "label": "Articles",
            "items": [
                {
                    "kind": "article",
                    "title": "Pythagorean Tuning: How Stacked Pure Fifths Build a Scale",
                    "url": "https://musics.name/articles/pythagorean-tuning/",
                    "description": "Pythagorean tuning builds a scale from one interval: the pure perfect fifth, with the frequency ratio 3:2. Stack fifths, fold each note back into a single octave, and every pitch becomes a ratio made only from the number…",
                    "score": 60
                },
                {
                    "kind": "article",
                    "title": "Guitar Fretboard Note Names: Learn the Neck String by String",
                    "url": "https://musics.name/articles/guitar-fretboard-note-names/",
                    "description": "…e pitch by one semitone, so the note at any position is the open string’s name counted up that many steps through the chromatic sequence: C……",
                    "score": 42
                },
                {
                    "kind": "article",
                    "title": "Equal Temperament: What It Costs and What It Buys",
                    "url": "https://musics.name/articles/equal-temperament/",
                    "description": "A piano cannot retune between two chords, so its tuning has to work for every key in advance. Equal temperament is the arrangement that does that, and it earns the ability by making every fifth slightly narrow and every…",
                    "score": 42
                },
                {
                    "kind": "article",
                    "title": "Capo and Transposition: How a Capo Changes the Key",
                    "url": "https://musics.name/articles/capo-and-transposition/",
                    "description": "A capo is a clamp across the neck that acts as a movable nut. Placed at fret n, it raises every string by n semitones, so the shape you finger sounds n semitones higher than its name. A G-shape chord…",
                    "score": 35
                },
                {
                    "kind": "article",
                    "title": "Brass Choir Voicing: Spacing, Balance and Dynamics",
                    "url": "https://musics.name/articles/brass-choir-voicing/",
                    "description": "Brass is the orchestra’s structural steel: brilliant at climaxes, noble in chorales, and dangerous to balance everywhere else. Good brass voicing puts each family’s weight where it supports the…",
                    "score": 34
                },
                {
                    "kind": "article",
                    "title": "The Harmonic Series: Why Octaves, Fifths and Thirds Come First",
                    "url": "https://musics.name/articles/the-harmonic-series/",
                    "description": "A string or air column that sounds a note produces a fundamental, and it also vibrates in parts. Those parts sound partials at whole-number multiples of the fundamental frequency: f, 2f, 3f, 4f and…",
                    "score": 30
                },
                {
                    "kind": "article",
                    "title": "Timbre and Overtones: Why the Same Note Sounds Different",
                    "url": "https://musics.name/articles/timbre-and-overtones/",
                    "description": "Timbre is the quality that lets you tell a clarinet from a trumpet playing the same pitch at the same loudness. It depends on the spectrum: which partials are present, how strong each one is, and how…",
                    "score": 28
                },
                {
                    "kind": "article",
                    "title": "Woodwind Doubling and Balance in Orchestral Writing",
                    "url": "https://musics.name/articles/woodwind-doubling-and-balance/",
                    "description": "Woodwinds are the orchestra’s color stops. They rarely carry the structure alone, but every skilled orchestration threads them through string and brass textures for brilliance, shadow, and blend…",
                    "score": 28
                },
                {
                    "kind": "article",
                    "title": "Scientific Pitch Notation: What C4 Actually Means",
                    "url": "https://musics.name/articles/scientific-pitch-notation/",
                    "description": "Scientific pitch notation writes a letter, an optional accidental and an octave number: C4, B♭3, F♯5. The letter and the accidental are uncontroversial. The number is where documentation, instrument…",
                    "score": 27
                },
                {
                    "kind": "article",
                    "title": "Meantone and Well Temperament: Why Keys Used to Sound Different",
                    "url": "https://musics.name/articles/meantone-and-well-temperament/",
                    "description": "A modern keyboard hides its compromise. Every key is equally in tune, which also means every key is equally out of tune, and a major third in C major is exactly the same size as a major third in F…",
                    "score": 20
                },
                {
                    "kind": "article",
                    "title": "What Are Cents? The Unit That Measures Small Pitch Differences",
                    "url": "https://musics.name/articles/what-are-cents/",
                    "description": "A cent is one hundredth of an equal-tempered semitone, so an octave contains 1200 cents and a semitone contains 100. The unit is logarithmic: the number of cents between two pitches depends only on…",
                    "score": 15
                },
                {
                    "kind": "article",
                    "title": "Barre Chords Explained: The E Shape and the A Shape",
                    "url": "https://musics.name/articles/barre-chords-e-shape-a-shape/",
                    "description": "A barre chord is an open chord played higher on the neck, with one finger lying across several strings to take the place of the nut. The E shape and the A shape are the two to learn first, because each one is an open cho…",
                    "score": 11
                },
                {
                    "kind": "article",
                    "title": "CAGED System Explained: Five Shapes That Cover the Neck",
                    "url": "https://musics.name/articles/caged-system-explained/",
                    "description": "…e guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a different chord, so every major chord has a fingerin…",
                    "score": 11
                },
                {
                    "kind": "article",
                    "title": "Fugue Subjects and Answers",
                    "url": "https://musics.name/articles/fugue-subject-and-answer/",
                    "description": "Almost every description of fugue begins by warning that fugue is not a form. The warning is necessary and usually wasted, because the terms that follow (subject, answer, countersubject, exposition…",
                    "score": 11
                },
                {
                    "kind": "article",
                    "title": "Ear Training for Intervals: A Method You Can Practise Daily",
                    "url": "https://musics.name/articles/ear-training-intervals-method/",
                    "description": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are…",
                    "score": 6
                },
                {
                    "kind": "article",
                    "title": "Reading Guitar Tabs and Chord Diagrams for Beginners",
                    "url": "https://musics.name/articles/reading-guitar-tabs-and-chord-diagrams/",
                    "description": "Guitar tablature is a set of six horizontal lines, one for each string, with a fret number written on the line where a note is played. The top line is the high E string and the bottom line is the low…",
                    "score": 6
                },
                {
                    "kind": "article",
                    "title": "Suspended Chords: Sus2 and Sus4 Explained",
                    "url": "https://musics.name/articles/suspended-chords-sus2-sus4/",
                    "description": "…third, neither chord is major or minor, which gives them an open sound that the ear hears as incomplete until the third……",
                    "score": 6
                },
                {
                    "kind": "article",
                    "title": "Rondo Form: How Refrains and Episodes Structure a Movement",
                    "url": "https://musics.name/articles/rondo-form/",
                    "description": "Long finales can feel like one bright passage after another with no landmarks. Rondo form fixes that listening problem by returning to a familiar refrain between contrasting episodes, so the shape of…",
                    "score": 6
                },
                {
                    "kind": "article",
                    "title": "Just Intonation, Beating and Why Intervals Sound in Tune",
                    "url": "https://musics.name/articles/just-intonation/",
                    "description": "“In tune” sounds like a matter of taste and is mostly a physical event. When two tones sound together and their frequencies stand in a simple whole-number ratio, their overtones land on top of one…",
                    "score": 6
                },
                {
                    "kind": "article",
                    "title": "Binary and Ternary Form: Dance Patterns to Art Music",
                    "url": "https://musics.name/articles/binary-and-ternary-form/",
                    "description": "Most short pieces are either two halves or three parts. Binary and ternary forms name those designs, and their cadence plans, repeat schemes, and return strategies explain everything from Bach gigues…",
                    "score": 5
                }
            ]
        }
    ],
    "results": [
        {
            "slug": "pythagorean-tuning",
            "title": "Pythagorean Tuning: How Stacked Pure Fifths Build a Scale",
            "dek": "Pythagorean tuning builds every interval from pure 3:2 fifths. Here is the seven-note scale it produces, its whole tones and semitones in cents, and the wolf fifth it leaves behind.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "pythagorean tuning",
                "just fifths",
                "temperament"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1484,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/pythagorean-tuning/",
            "markdown_url": "https://musics.name/articles/pythagorean-tuning.md",
            "json_url": "https://musics.name/api/article.json?slug=pythagorean-tuning",
            "excerpt": "Pythagorean tuning builds a scale from one interval: the pure perfect fifth, with the frequency ratio 3:2. Stack fifths, fold each note back into a single octave, and every pitch becomes a ratio made only from the numbers 2 and 3. The whole tone is 9:8, or…",
            "score": 60,
            "partial": false,
            "snippet": "Pythagorean tuning builds a scale from one interval: the pure perfect fifth, with the frequency ratio 3:2. Stack fifths, fold each note back into a single octave, and every pitch becomes a ratio made only from the number…"
        },
        {
            "slug": "guitar-fretboard-note-names",
            "title": "Guitar Fretboard Note Names: Learn the Neck String by String",
            "dek": "Every fret is one semitone, so the fretboard is a grid of note names. This covers standard tuning, the landmark frets and a two-week routine for learning the whole neck.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "fretboard",
                "note names",
                "guitar"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1363,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/guitar-fretboard-note-names/",
            "markdown_url": "https://musics.name/articles/guitar-fretboard-note-names.md",
            "json_url": "https://musics.name/api/article.json?slug=guitar-fretboard-note-names",
            "excerpt": "The six strings of a guitar in standard tuning sound E2, A2, D3, G3, B3 and E4, from low to high. Every fret raises the pitch by one semitone, so the note at any position is the open string’s name counted up that many steps through the chromatic sequence: C…",
            "score": 42,
            "partial": false,
            "snippet": "…e pitch by one semitone, so the note at any position is the open string’s name counted up that many steps through the chromatic sequence: C……"
        },
        {
            "slug": "equal-temperament",
            "title": "Equal Temperament: What It Costs and What It Buys",
            "dek": "Twelve equal semitones solve the problem pure intervals create. The cost is small in fifths, large in thirds, and paid by every fixed-pitch instrument.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "tuning",
                "temperament",
                "intervals"
            ],
            "level": "intermediate",
            "date": "2026-09-25",
            "updated": "2026-10-11",
            "words": 1507,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/equal-temperament/",
            "markdown_url": "https://musics.name/articles/equal-temperament.md",
            "json_url": "https://musics.name/api/article.json?slug=equal-temperament",
            "excerpt": "A piano cannot retune between two chords, so its tuning has to work for every key in advance. Equal temperament is the arrangement that does that, and it earns the ability by making every fifth slightly narrow and every major third noticeably wide. The…",
            "score": 42,
            "partial": false,
            "snippet": "A piano cannot retune between two chords, so its tuning has to work for every key in advance. Equal temperament is the arrangement that does that, and it earns the ability by making every fifth slightly narrow and every…"
        },
        {
            "slug": "capo-and-transposition",
            "title": "Capo and Transposition: How a Capo Changes the Key",
            "dek": "A capo raises every open string by one semitone per fret, so a G shape played at fret 2 sounds in A. This shows how to find the sounding key and how to choose a capo position.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "capo",
                "transposition",
                "guitar"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1377,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/capo-and-transposition/",
            "markdown_url": "https://musics.name/articles/capo-and-transposition.md",
            "json_url": "https://musics.name/api/article.json?slug=capo-and-transposition",
            "excerpt": "A capo is a clamp across the neck that acts as a movable nut. Placed at fret n, it raises every string by n semitones, so the shape you finger sounds n semitones higher than its name. A G-shape chord with the capo at fret 2 sounds in A. To find the sounding…",
            "score": 35,
            "partial": false,
            "snippet": "A capo is a clamp across the neck that acts as a movable nut. Placed at fret n, it raises every string by n semitones, so the shape you finger sounds n semitones higher than its name. A G-shape chord…"
        },
        {
            "slug": "brass-choir-voicing",
            "title": "Brass Choir Voicing: Spacing, Balance and Dynamics",
            "dek": "Score for trumpets, horns, trombones and tuba: open vs close voicing, dynamic balance, chorale style and fanfare writing.",
            "topic": "orchestration",
            "topic_name": "Orchestration",
            "tags": [
                "brass",
                "voicing",
                "orchestration"
            ],
            "level": "intermediate",
            "date": "2026-10-04",
            "updated": null,
            "words": 1157,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/brass-choir-voicing/",
            "markdown_url": "https://musics.name/articles/brass-choir-voicing.md",
            "json_url": "https://musics.name/api/article.json?slug=brass-choir-voicing",
            "excerpt": "Brass is the orchestra’s structural steel: brilliant at climaxes, noble in chorales, and dangerous to balance everywhere else. Good brass voicing puts each family’s weight where it supports the harmony without burying the ensemble, which comes down to…",
            "score": 34,
            "partial": false,
            "snippet": "Brass is the orchestra’s structural steel: brilliant at climaxes, noble in chorales, and dangerous to balance everywhere else. Good brass voicing puts each family’s weight where it supports the…"
        },
        {
            "slug": "the-harmonic-series",
            "title": "The Harmonic Series: Why Octaves, Fifths and Thirds Come First",
            "dek": "A vibrating string or air column sounds a fundamental and a set of partials at whole-number multiples of it. Here are the first sixteen, their cents, and where they differ from equal temperament.",
            "topic": "acoustics",
            "topic_name": "Acoustics & Sound",
            "tags": [
                "harmonic series",
                "partials",
                "acoustics"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1421,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/the-harmonic-series/",
            "markdown_url": "https://musics.name/articles/the-harmonic-series.md",
            "json_url": "https://musics.name/api/article.json?slug=the-harmonic-series",
            "excerpt": "A string or air column that sounds a note produces a fundamental, and it also vibrates in parts. Those parts sound partials at whole-number multiples of the fundamental frequency: f, 2f, 3f, 4f and so on. The collection is the harmonic series. Its first…",
            "score": 30,
            "partial": false,
            "snippet": "A string or air column that sounds a note produces a fundamental, and it also vibrates in parts. Those parts sound partials at whole-number multiples of the fundamental frequency: f, 2f, 3f, 4f and…"
        },
        {
            "slug": "timbre-and-overtones",
            "title": "Timbre and Overtones: Why the Same Note Sounds Different",
            "dek": "Timbre is the shape of a note's spectrum: which partials are present, how strong they are and how the sound begins. Here is why a clarinet, a flute and a piano differ on the same pitch.",
            "topic": "acoustics",
            "topic_name": "Acoustics & Sound",
            "tags": [
                "timbre",
                "overtones",
                "spectrum"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1367,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/timbre-and-overtones/",
            "markdown_url": "https://musics.name/articles/timbre-and-overtones.md",
            "json_url": "https://musics.name/api/article.json?slug=timbre-and-overtones",
            "excerpt": "Timbre is the quality that lets you tell a clarinet from a trumpet playing the same pitch at the same loudness. It depends on the spectrum: which partials are present, how strong each one is, and how those strengths change through the note’s attack, its…",
            "score": 28,
            "partial": false,
            "snippet": "Timbre is the quality that lets you tell a clarinet from a trumpet playing the same pitch at the same loudness. It depends on the spectrum: which partials are present, how strong each one is, and how…"
        },
        {
            "slug": "woodwind-doubling-and-balance",
            "title": "Woodwind Doubling and Balance in Orchestral Writing",
            "dek": "Which woodwind doublings blend and which stick out: unisons, octaves, registers, dynamics, and practical balance.",
            "topic": "orchestration",
            "topic_name": "Orchestration",
            "tags": [
                "woodwinds",
                "doubling",
                "orchestration"
            ],
            "level": "intermediate",
            "date": "2026-10-04",
            "updated": null,
            "words": 1190,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/woodwind-doubling-and-balance/",
            "markdown_url": "https://musics.name/articles/woodwind-doubling-and-balance.md",
            "json_url": "https://musics.name/api/article.json?slug=woodwind-doubling-and-balance",
            "excerpt": "Woodwinds are the orchestra’s color stops. They rarely carry the structure alone, but every skilled orchestration threads them through string and brass textures for brilliance, shadow, and blend. Knowing which doublings fuse and which grate is the core of the…",
            "score": 28,
            "partial": false,
            "snippet": "Woodwinds are the orchestra’s color stops. They rarely carry the structure alone, but every skilled orchestration threads them through string and brass textures for brilliance, shadow, and blend…"
        },
        {
            "slug": "scientific-pitch-notation",
            "title": "Scientific Pitch Notation: What C4 Actually Means",
            "dek": "Middle C is C4 in scientific pitch notation, C3 on some manufacturers' labelling, and MIDI note 60 in every sequencer. The numbering is a convention.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
            "tags": [
                "pitch",
                "notation",
                "midi"
            ],
            "level": "intro",
            "date": "2026-09-25",
            "updated": null,
            "words": 1250,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/scientific-pitch-notation/",
            "markdown_url": "https://musics.name/articles/scientific-pitch-notation.md",
            "json_url": "https://musics.name/api/article.json?slug=scientific-pitch-notation",
            "excerpt": "Scientific pitch notation writes a letter, an optional accidental and an octave number: C4, B♭3, F♯5. The letter and the accidental are uncontroversial. The number is where documentation, instrument charts and software quietly disagree, and a single octave of…",
            "score": 27,
            "partial": false,
            "snippet": "Scientific pitch notation writes a letter, an optional accidental and an octave number: C4, B♭3, F♯5. The letter and the accidental are uncontroversial. The number is where documentation, instrument…"
        },
        {
            "slug": "meantone-and-well-temperament",
            "title": "Meantone and Well Temperament: Why Keys Used to Sound Different",
            "dek": "Quarter-comma meantone, the wolf fifth and the well temperaments in between: what keyboard tuning did to each key before equal temperament settled the argument.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "temperament",
                "tuning",
                "keyboard"
            ],
            "level": "advanced",
            "date": "2026-09-25",
            "updated": "2026-10-11",
            "words": 1749,
            "reading_time_minutes": 9,
            "url": "https://musics.name/articles/meantone-and-well-temperament/",
            "markdown_url": "https://musics.name/articles/meantone-and-well-temperament.md",
            "json_url": "https://musics.name/api/article.json?slug=meantone-and-well-temperament",
            "excerpt": "A modern keyboard hides its compromise. Every key is equally in tune, which also means every key is equally out of tune, and a major third in C major is exactly the same size as a major third in F sharp major. Before the nineteenth century the compromise was…",
            "score": 20,
            "partial": true,
            "snippet": "A modern keyboard hides its compromise. Every key is equally in tune, which also means every key is equally out of tune, and a major third in C major is exactly the same size as a major third in F…"
        },
        {
            "slug": "what-are-cents",
            "title": "What Are Cents? The Unit That Measures Small Pitch Differences",
            "dek": "A cent is one hundredth of an equal-tempered semitone. Here is the formula, what the common intervals measure in cents, and what a tuner is showing you.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "cents",
                "tuning",
                "pitch measurement"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": "2026-10-11",
            "words": 1373,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/what-are-cents/",
            "markdown_url": "https://musics.name/articles/what-are-cents.md",
            "json_url": "https://musics.name/api/article.json?slug=what-are-cents",
            "excerpt": "A cent is one hundredth of an equal-tempered semitone, so an octave contains 1200 cents and a semitone contains 100. The unit is logarithmic: the number of cents between two pitches depends only on their frequency ratio, not on how many hertz separate them…",
            "score": 15,
            "partial": true,
            "snippet": "A cent is one hundredth of an equal-tempered semitone, so an octave contains 1200 cents and a semitone contains 100. The unit is logarithmic: the number of cents between two pitches depends only on…"
        },
        {
            "slug": "barre-chords-e-shape-a-shape",
            "title": "Barre Chords Explained: The E Shape and the A Shape",
            "dek": "A barre chord is an open chord moved up the neck. The E shape and the A shape are the two to learn first, and each one is built from its open chord by a simple rule of offsets.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "barre chord",
                "guitar chords",
                "moveable shapes"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1490,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/barre-chords-e-shape-a-shape/",
            "markdown_url": "https://musics.name/articles/barre-chords-e-shape-a-shape.md",
            "json_url": "https://musics.name/api/article.json?slug=barre-chords-e-shape-a-shape",
            "excerpt": "A barre chord is an open chord played higher on the neck, with one finger lying across several strings to take the place of the nut. The E shape and the A shape are the two to learn first, because each one is an open chord whose root sits on a known string…",
            "score": 11,
            "partial": true,
            "snippet": "A barre chord is an open chord played higher on the neck, with one finger lying across several strings to take the place of the nut. The E shape and the A shape are the two to learn first, because each one is an open cho…"
        },
        {
            "slug": "caged-system-explained",
            "title": "CAGED System Explained: Five Shapes That Cover the Neck",
            "dek": "CAGED turns five open chords into movable shapes. This explains how the shapes connect, how to name a moved chord from its root string, and how to find one chord in several places.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "caged system",
                "chord shapes",
                "fretboard"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1439,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/caged-system-explained/",
            "markdown_url": "https://musics.name/articles/caged-system-explained.md",
            "json_url": "https://musics.name/api/article.json?slug=caged-system-explained",
            "excerpt": "The CAGED system treats the guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a different chord, so every major chord has a fingering in each of…",
            "score": 11,
            "partial": true,
            "snippet": "…e guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a different chord, so every major chord has a fingerin…"
        },
        {
            "slug": "fugue-subject-and-answer",
            "title": "Fugue Subjects and Answers",
            "dek": "A fugue's opening notes commit the piece to more than a tune. The subject's shape and the answer's adjustment decide what can happen next.",
            "topic": "counterpoint",
            "topic_name": "Counterpoint",
            "tags": [
                "fugue",
                "subject",
                "answer"
            ],
            "level": "advanced",
            "date": "2026-09-25",
            "updated": null,
            "words": 1763,
            "reading_time_minutes": 9,
            "url": "https://musics.name/articles/fugue-subject-and-answer/",
            "markdown_url": "https://musics.name/articles/fugue-subject-and-answer.md",
            "json_url": "https://musics.name/api/article.json?slug=fugue-subject-and-answer",
            "excerpt": "Almost every description of fugue begins by warning that fugue is not a form. The warning is necessary and usually wasted, because the terms that follow (subject, answer, countersubject, exposition, episode) get used as if they named fixed compartments. They…",
            "score": 11,
            "partial": true,
            "snippet": "Almost every description of fugue begins by warning that fugue is not a form. The warning is necessary and usually wasted, because the terms that follow (subject, answer, countersubject, exposition…"
        },
        {
            "slug": "ear-training-intervals-method",
            "title": "Ear Training for Intervals: A Method You Can Practise Daily",
            "dek": "Interval recognition comes faster with a method: three intervals tied to a tonic, sung before they are named, and a short daily routine you can keep.",
            "topic": "practice",
            "topic_name": "Ear Training & Practice",
            "tags": [
                "ear training",
                "intervals",
                "solfège"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1390,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/ear-training-intervals-method/",
            "markdown_url": "https://musics.name/articles/ear-training-intervals-method.md",
            "json_url": "https://musics.name/api/article.json?slug=ear-training-intervals-method",
            "excerpt": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are reliable in random order. Practise for about ten minutes a day…",
            "score": 6,
            "partial": true,
            "snippet": "Learn intervals in small sets, anchored to a tonic, and sing each one before you name it. Start with three intervals that sound clearly different, and add a fourth only when the first three are…"
        },
        {
            "slug": "reading-guitar-tabs-and-chord-diagrams",
            "title": "Reading Guitar Tabs and Chord Diagrams for Beginners",
            "dek": "Tab shows strings and frets rather than pitch names, and a chord diagram is a small grid of the same information. This explains both, with an arpeggio you can check against the fretboard.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "guitar tablature",
                "chord diagrams",
                "notation"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1353,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/reading-guitar-tabs-and-chord-diagrams/",
            "markdown_url": "https://musics.name/articles/reading-guitar-tabs-and-chord-diagrams.md",
            "json_url": "https://musics.name/api/article.json?slug=reading-guitar-tabs-and-chord-diagrams",
            "excerpt": "Guitar tablature is a set of six horizontal lines, one for each string, with a fret number written on the line where a note is played. The top line is the high E string and the bottom line is the low E string. A chord diagram is a small vertical grid in which…",
            "score": 6,
            "partial": true,
            "snippet": "Guitar tablature is a set of six horizontal lines, one for each string, with a fret number written on the line where a note is played. The top line is the high E string and the bottom line is the low…"
        },
        {
            "slug": "suspended-chords-sus2-sus4",
            "title": "Suspended Chords: Sus2 and Sus4 Explained",
            "dek": "A sus chord swaps the third of a triad for the second or fourth. Here is what Csus2 and Csus4 contain, why neither is major or minor, and how they resolve.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "suspended chords",
                "sus4",
                "chord symbols"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1357,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/suspended-chords-sus2-sus4/",
            "markdown_url": "https://musics.name/articles/suspended-chords-sus2-sus4.md",
            "json_url": "https://musics.name/api/article.json?slug=suspended-chords-sus2-sus4",
            "excerpt": "A suspended chord replaces the third of a triad with the second or the fourth. Csus4 is C, F and G, and Csus2 is C, D and G. With no third, neither chord is major or minor, which gives them an open sound that the ear hears as incomplete until the third…",
            "score": 6,
            "partial": true,
            "snippet": "…third, neither chord is major or minor, which gives them an open sound that the ear hears as incomplete until the third……"
        },
        {
            "slug": "rondo-form",
            "title": "Rondo Form: How Refrains and Episodes Structure a Movement",
            "dek": "Rondo form alternates a returning refrain with contrasting episodes. Learn classical key plans, sonata-rondo hybrids, and why refrains return altered.",
            "topic": "form",
            "topic_name": "Form",
            "tags": [
                "rondo",
                "musical form",
                "classical style"
            ],
            "level": "intermediate",
            "date": "2026-10-04",
            "updated": null,
            "words": 1840,
            "reading_time_minutes": 9,
            "url": "https://musics.name/articles/rondo-form/",
            "markdown_url": "https://musics.name/articles/rondo-form.md",
            "json_url": "https://musics.name/api/article.json?slug=rondo-form",
            "excerpt": "Long finales can feel like one bright passage after another with no landmarks. Rondo form fixes that listening problem by returning to a familiar refrain between contrasting episodes, so the shape of the movement stays clear from start to finish. #How rondo…",
            "score": 6,
            "partial": true,
            "snippet": "Long finales can feel like one bright passage after another with no landmarks. Rondo form fixes that listening problem by returning to a familiar refrain between contrasting episodes, so the shape of…"
        },
        {
            "slug": "just-intonation",
            "title": "Just Intonation, Beating and Why Intervals Sound in Tune",
            "dek": "Pure intervals come from small whole-number ratios, and beating is what stops them sounding pure. What just intonation gives, and what it cannot fix.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "just intonation",
                "intervals",
                "acoustics"
            ],
            "level": "advanced",
            "date": "2026-09-25",
            "updated": "2026-10-11",
            "words": 1669,
            "reading_time_minutes": 8,
            "url": "https://musics.name/articles/just-intonation/",
            "markdown_url": "https://musics.name/articles/just-intonation.md",
            "json_url": "https://musics.name/api/article.json?slug=just-intonation",
            "excerpt": "“In tune” sounds like a matter of taste and is mostly a physical event. When two tones sound together and their frequencies stand in a simple whole-number ratio, their overtones land on top of one another and the combined sound holds still. When the ratio is…",
            "score": 6,
            "partial": true,
            "snippet": "“In tune” sounds like a matter of taste and is mostly a physical event. When two tones sound together and their frequencies stand in a simple whole-number ratio, their overtones land on top of one…"
        },
        {
            "slug": "binary-and-ternary-form",
            "title": "Binary and Ternary Form: Dance Patterns to Art Music",
            "dek": "Simple and rounded binary, ABA and da capo: the cadence plans that define each section and how dances grew into art forms.",
            "topic": "form",
            "topic_name": "Form",
            "tags": [
                "binary form",
                "ternary form",
                "dance movements"
            ],
            "level": "intro",
            "date": "2026-10-04",
            "updated": null,
            "words": 1226,
            "reading_time_minutes": 6,
            "url": "https://musics.name/articles/binary-and-ternary-form/",
            "markdown_url": "https://musics.name/articles/binary-and-ternary-form.md",
            "json_url": "https://musics.name/api/article.json?slug=binary-and-ternary-form",
            "excerpt": "Most short pieces are either two halves or three parts. Binary and ternary forms name those designs, and their cadence plans, repeat schemes, and return strategies explain everything from Bach gigues to pop bridges. Learn these two and large forms start…",
            "score": 5,
            "partial": true,
            "snippet": "Most short pieces are either two halves or three parts. Binary and ternary forms name those designs, and their cadence plans, repeat schemes, and return strategies explain everything from Bach gigues…"
        }
    ],
    "ranking": "Direct answers first (chord symbols, scale and key names are parsed). Then tools, keys, scales, chords, intervals, glossary and topics by title match; articles rank by title (12) > tags (6) > dek (5) > topic (3) > body frequency (max 6), +25 when every query token matches.",
    "html": "https://musics.name/search/?q=Open%20tuning",
    "generated_at": "2026-10-12T23:05:19+00:00"
}