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                    "title": "Meantone and Well Temperament: Why Keys Used to Sound Different",
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                    "title": "What Are Cents? The Unit That Measures Small Pitch Differences",
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            "topic": "rhythm",
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            "snippet": "A melody over chords works when its strong beats agree with the harmony and its weak beats move by step. Chord tones on the strong beats tell the listener which chord is sounding, and the notes between them give the line…"
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            "title": "Baroque Ornamentation: Trills, Mordents and Turns",
            "dek": "Execute trills, mordents, turns and appoggiaturas correctly: on-beat starts, national styles, and reading ornament tables.",
            "topic": "history",
            "topic_name": "Music History",
            "tags": [
                "ornamentation",
                "baroque",
                "performance practice"
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            "excerpt": "Baroque scores look plain because the decoration lives in symbols and conventions, not in the notes. Trills, mordents, turns, and appoggiaturas transform skeletal lines into singing ones, but only when executed the way the style expects: on the beat, with the…",
            "score": 36,
            "partial": false,
            "snippet": "…s, but only when executed the way the style expects: on the beat, with the……"
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            "dek": "Hear 5/4 and 7/8 as beat groups, not math: counting systems, conducting, repertoire from Brubeck to Balkan dance.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "odd meter",
                "time signatures",
                "counting"
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            "excerpt": "Five and seven feel impossible until they feel obvious. Odd meters are not broken fours with beats missing; they are their own groove systems built from unequal beat groups, and once the groups sit in the body the counting takes care of itself. #Five as 3+2…",
            "score": 36,
            "partial": false,
            "snippet": "…til they feel obvious. Odd meters are not broken fours with beats missing; they are their own groove systems built from unequal beat groups, and once the groups sit in the body the counting takes care of itself. #Five as…"
        },
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            "slug": "syncopation-accent-and-groove",
            "title": "Syncopation, Accent and Groove: Rhythm That Pushes Back",
            "dek": "Tied overbeats, attacked offbeats, hemiola and groove: how syncopation displaces accent and why the body keeps the score.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "syncopation",
                "groove",
                "accent"
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            "level": "intro",
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            "excerpt": "Music that accents exactly where expected quickly turns march-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the pulse is what makes rhythm feel alive. #The two basic…",
            "score": 36,
            "partial": false,
            "snippet": "…-like. Syncopation pushes against the pulse, stressing weak beats and silencing strong ones, and the friction between the pattern and the pulse is what makes rhythm feel alive. #The two basic……"
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            "slug": "compound-meter-6-8-vs-3-4",
            "title": "Compound Meter: 6/8 vs 3/4 and How to Hear the Difference",
            "dek": "Six eighth notes per bar can group as 3+3 in 6/8 or 2+2+2 in 3/4. Accent, contour, hemiola and conducting show which grouping you are hearing.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "compound meter",
                "6/8",
                "hemiola"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
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            "excerpt": "Compound meter and simple meter can contain the same amount of time. A bar of 6/8 and a bar of 3/4 each hold six eighth-note units, and the difference lies in how those units are grouped. 6/8 groups them as two beats of three eighths. 3/4 groups them as three…",
            "score": 31,
            "partial": false,
            "snippet": "…lies in how those units are grouped. 6/8 groups them as two beats of three eighths. 3/4 groups them as three……"
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            "slug": "how-to-transcribe-music-by-ear",
            "title": "How to Transcribe Music by Ear: A Step-by-Step Procedure",
            "dek": "Transcribe by ear in a fixed order: key and bass first, then chords by root and quality, then the melody by scale degree, and rhythm last.",
            "topic": "practice",
            "topic_name": "Ear Training & Practice",
            "tags": [
                "transcription",
                "ear training",
                "harmony"
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            "date": "2026-10-11",
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            "excerpt": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the chords as Roman numerals so the result transposes, and keep a…",
            "score": 31,
            "partial": false,
            "snippet": "Transcribe in layers, in the order the harmony needs them: key, bass, chord roots, chord qualities, melody, and rhythm last. Check each layer on an instrument before you start the next. Write the…"
        },
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            "slug": "non-chord-tones",
            "title": "Non-Chord Tones: Passing, Neighbour, Suspension and More",
            "dek": "A non-chord tone is a note that sounds over a chord without belonging to it. Here are the main types, how each is approached and left, and how to write them.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "non-chord tones",
                "melody",
                "voice leading"
            ],
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            "date": "2026-10-11",
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            "json_url": "https://musics.name/api/article.json?slug=non-chord-tones",
            "excerpt": "A non-chord tone is a note that sounds over a chord without belonging to it. Its type is set by how it is approached and how it leaves: passing and neighbour tones move by step, appoggiaturas arrive by leap and leave by step, escape tones leave by leap, and…",
            "score": 31,
            "partial": false,
            "snippet": "A non-chord tone is a note that sounds over a chord without belonging to it. Its type is set by how it is approached and how it leaves: passing and neighbour tones move by step, appoggiaturas arrive…"
        },
        {
            "slug": "note-values-rests-ties-and-dots",
            "title": "Note Values, Rests, Ties and Dots Explained",
            "dek": "Each note value is half the one above it. Whole to sixteenth notes and their rests, plus how dots, ties and beams change what you count.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "note values",
                "rhythm",
                "counting"
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            "level": "intro",
            "date": "2026-10-11",
            "updated": "2026-10-11",
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            "excerpt": "A note value says how long a note sounds in relation to the beat. Each value is half the length of the one above it: whole, half, quarter, eighth, sixteenth. Every value has a rest of the same length. A dot adds half the value, and a tie joins two notes of…",
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            "snippet": "A note value says how long a note sounds in relation to the beat. Each value is half the length of the one above it: whole, half, quarter, eighth, sixteenth. Every value has a rest of the same length. A dot adds half the…"
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        {
            "slug": "twelve-bar-blues-form",
            "title": "The Twelve-Bar Blues: Form, Chord Plan and Variations",
            "dek": "Twelve bars of 4/4 in three four-bar phrases, moving through I, IV and V. The standard plan in C and F, the quick change, the turnaround and the minor blues.",
            "topic": "form",
            "topic_name": "Form",
            "tags": [
                "twelve-bar blues",
                "form",
                "blues"
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            "date": "2026-10-11",
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            "excerpt": "A twelve-bar blues is a form of twelve bars in 4/4, grouped into three phrases of four bars each. The first two phrases usually carry the same words over different chords, and the third answers them. In the standard plan, the chords are I for four bars, IV…",
            "score": 31,
            "partial": false,
            "snippet": "A twelve-bar blues is a form of twelve bars in 4/4, grouped into three phrases of four bars each. The first two phrases usually carry the same words over different chords, and the third answers them…"
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            "slug": "meantone-and-well-temperament",
            "title": "Meantone and Well Temperament: Why Keys Used to Sound Different",
            "dek": "Quarter-comma meantone, the wolf fifth and the well temperaments in between: what keyboard tuning did to each key before equal temperament settled the argument.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "temperament",
                "tuning",
                "keyboard"
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            "level": "advanced",
            "date": "2026-09-25",
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            "excerpt": "A modern keyboard hides its compromise. Every key is equally in tune, which also means every key is equally out of tune, and a major third in C major is exactly the same size as a major third in F sharp major. Before the nineteenth century the compromise was…",
            "score": 31,
            "partial": false,
            "snippet": "A modern keyboard hides its compromise. Every key is equally in tune, which also means every key is equally out of tune, and a major third in C major is exactly the same size as a major third in F…"
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        {
            "slug": "polyrhythm-and-cross-rhythm",
            "title": "Polyrhythm and Cross-Rhythm: Counting the Distinction",
            "dek": "Polyrhythm, cross-rhythm and polymeter are not interchangeable. Counting the ratios shows what separates a divided span from a pattern set against a metre.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "polyrhythm",
                "cross-rhythm",
                "meter"
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            "level": "intermediate",
            "date": "2026-09-25",
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            "excerpt": "A percussionist and a conductor can look at the same bar and disagree about what to call it, because two terms get used as if they were synonyms. They are not. One describes a texture in which two parts divide the same span differently; the other describes a…",
            "score": 31,
            "partial": false,
            "snippet": "A percussionist and a conductor can look at the same bar and disagree about what to call it, because two terms get used as if they were synonyms. They are not. One describes a texture in which two…"
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            "slug": "swing-timing",
            "title": "Swing Timing: What the Notation Does Not Say",
            "dek": "Jazz notation asks for swing and leaves the ratio to the players, because the timing is tempo-dependent and a fixed written value would be wrong at most speeds.",
            "topic": "rhythm",
            "topic_name": "Rhythm & Meter",
            "tags": [
                "swing",
                "jazz",
                "rhythm"
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            "excerpt": "A written instruction like swing or medium swing asks a player to change the placement of notes that are, on the page, perfectly even. That looks like an instruction with missing information, and it is one, deliberately. The missing information is the ratio…",
            "score": 31,
            "partial": false,
            "snippet": "A written instruction like swing or medium swing asks a player to change the placement of notes that are, on the page, perfectly even. That looks like an instruction with missing information, and it…"
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            "slug": "chord-scale-theory",
            "title": "Chord-Scale Theory Explained: Which Scale Fits Which Chord",
            "dek": "Chord-scale theory pairs each chord quality with a scale whose notes fit it. This article gives the pairings, the spellings in C, and the notes to avoid.",
            "topic": "jazz",
            "topic_name": "Jazz & Popular Harmony",
            "tags": [
                "chord-scale theory",
                "improvisation",
                "modes"
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            "excerpt": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that differ from the chord tones show which ones…",
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            "snippet": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The…"
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            "slug": "reading-intervals-at-sight",
            "title": "Reading Intervals at Sight: Generic and Specific",
            "dek": "Naming an interval at sight takes two passes: count the staff positions first, then judge what the accidental does to the size.",
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            "topic_name": "Fundamentals",
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                "intervals",
                "sight reading",
                "notation"
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            "excerpt": "An interval is described by two properties at once, and readers who collapse them into one get stuck. The first is the generic interval: how many staff positions the notes span, counted inclusively from the lower note. C to E is a third because three letter…",
            "score": 30,
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            "snippet": "An interval is described by two properties at once, and readers who collapse them into one get stuck. The first is the generic interval: how many staff positions the notes span, counted inclusively…"
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            "slug": "how-to-read-sheet-music",
            "title": "How to Read Sheet Music: Staves, Clefs and Note Names",
            "dek": "The staff, the treble and bass clefs, line and space names, ledger lines, and where the key and time signatures sit, with a table to learn from.",
            "topic": "fundamentals",
            "topic_name": "Fundamentals",
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                "sheet music",
                "staff",
                "clef",
                "notation"
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            "excerpt": "Sheet music is a grid of pitch against time. Pitch rises up the page from low to high, time runs from left to right, and the notes sit on a staff of five horizontal lines with four spaces between them. To name a note, find the clef at the start of the staff…",
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        {
            "slug": "what-are-cents",
            "title": "What Are Cents? The Unit That Measures Small Pitch Differences",
            "dek": "A cent is one hundredth of an equal-tempered semitone. Here is the formula, what the common intervals measure in cents, and what a tuner is showing you.",
            "topic": "tuning",
            "topic_name": "Tuning & Temperament",
            "tags": [
                "cents",
                "tuning",
                "pitch measurement"
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            "excerpt": "A cent is one hundredth of an equal-tempered semitone, so an octave contains 1200 cents and a semitone contains 100. The unit is logarithmic: the number of cents between two pitches depends only on their frequency ratio, not on how many hertz separate them…",
            "score": 29,
            "partial": false,
            "snippet": "A cent is one hundredth of an equal-tempered semitone, so an octave contains 1200 cents and a semitone contains 100. The unit is logarithmic: the number of cents between two pitches depends only on…"
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    "ranking": "Direct answers first (chord symbols, scale and key names are parsed). Then tools, keys, scales, chords, intervals, glossary and topics by title match; articles rank by title (12) > tags (6) > dek (5) > topic (3) > body frequency (max 6), +25 when every query token matches.",
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