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                    "description": "A barre chord is an open chord played higher on the neck, with one finger lying across several strings to take the place of the nut. The E shape and the A shape are the two to learn first, because each one is an open cho…",
                    "score": 83
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                {
                    "kind": "article",
                    "title": "Reading Guitar Tabs and Chord Diagrams for Beginners",
                    "url": "https://musics.name/articles/reading-guitar-tabs-and-chord-diagrams/",
                    "description": "…he high E string and the bottom line is the low E string. A chord diagram is a small vertical grid in which……",
                    "score": 55
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                    "title": "CAGED System Explained: Five Shapes That Cover the Neck",
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                    "description": "The CAGED system treats the guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a different chord, so every…",
                    "score": 48
                },
                {
                    "kind": "article",
                    "title": "Capo and Transposition: How a Capo Changes the Key",
                    "url": "https://musics.name/articles/capo-and-transposition/",
                    "description": "…u finger sounds n semitones higher than its name. A G-shape chord with the capo at fret 2 sounds in A. To find the sounding……",
                    "score": 34
                },
                {
                    "kind": "article",
                    "title": "Chord Extensions Explained: Ninths, Elevenths and Thirteenths",
                    "url": "https://musics.name/articles/chord-extensions-ninths-elevenths-thirteenths/",
                    "description": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension, and the notes below i…",
                    "score": 29
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                    "score": 29
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                    "kind": "article",
                    "title": "Chord Symbols Explained: Major, Minor, Seventh and Slash Chords",
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                    "description": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and Cmaj7 adds a major sevent…",
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                    "title": "Common Chord Progressions: Loops, Numerals and Why They Work",
                    "url": "https://musics.name/articles/common-chord-progressions/",
                    "description": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least some of the time, neigh…",
                    "score": 29
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                    "kind": "article",
                    "title": "How to Write a Melody Over Chords, Note by Note",
                    "url": "https://musics.name/articles/how-to-write-a-melody-over-chords/",
                    "description": "A melody over chords works when its strong beats agree with the harmony and its weak beats move by step. Chord tones on the strong beats tell the listener which chord is sounding, and the notes between them give the line…",
                    "score": 29
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                    "kind": "article",
                    "title": "Jazz Chord Voicings: Shell and Rootless Voicings Explained",
                    "url": "https://musics.name/articles/jazz-chord-voicings-shell-and-rootless/",
                    "description": "…ng is three notes: the root, the third and the seventh of a chord. A rootless voicing drops the root as well, and often the fifth, and builds on the third or the seventh instead. Both keep the notes that define the chord…",
                    "score": 29
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                    "kind": "article",
                    "title": "Non-Chord Tones: Passing, Neighbour, Suspension and More",
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                    "description": "A non-chord tone is a note that sounds over a chord without belonging to it. Its type is set by how it is approached and how it leaves: passing and neighbour tones move by step, appoggiaturas arrive by leap and leave by…",
                    "score": 29
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                {
                    "kind": "article",
                    "title": "Roman Numeral Analysis: How to Label a Chord Progression",
                    "url": "https://musics.name/articles/roman-numeral-analysis/",
                    "description": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals descr…",
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                },
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                    "kind": "article",
                    "title": "Suspended Chords: Sus2 and Sus4 Explained",
                    "url": "https://musics.name/articles/suspended-chords-sus2-sus4/",
                    "description": "A suspended chord replaces the third of a triad with the second or the fourth. Csus4 is C, F and G, and Csus2 is C, D and G. With no third, neither chord is major or minor, which gives them an open sound that the ear hea…",
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                    "kind": "article",
                    "title": "Borrowed Chords: Modal Mixture in Practice",
                    "url": "https://musics.name/articles/borrowed-chords-and-modal-mixture/",
                    "description": "…y signature does not give. Unlike a secondary dominant, the chord is not pointing at another key: F minor is the subdominant of C minor, and C minor is C major’s parallel mode. The tonic has not……",
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                    "kind": "article",
                    "title": "Seventh Chords and How They Resolve in Tonal Harmony",
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                    "description": "Adding a seventh to a triad changes what the chord is for. A triad can sit still; a seventh chord cannot, because the added note is a dissonance with a destination. That single fact explains the behaviour of every diaton…",
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                    "kind": "article",
                    "title": "Diatonic Chords in Major and Minor Keys Explained",
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                    "description": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a different set, Am, B°, C,…",
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                    "title": "Augmented Sixth Chords: Italian, French and German Types",
                    "url": "https://musics.name/articles/augmented-sixth-chords/",
                    "description": "Some chords exist for a single gesture: two voices stretching outward to an octave. The augmented sixth family turns that gesture into three distinct sonorities, each with its own color, its own resolution habits, and it…",
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                    "kind": "article",
                    "title": "The Neapolitan Sixth Chord: Sound, Spelling, Resolution",
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                    "description": "Few chords announce themselves as clearly as the Neapolitan sixth. One lowered note in the bass, a major triad glowing against a minor key, and the phrase turns toward a cadence of unusual gravity. It is the most audible…",
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                    "title": "The Twelve-Bar Blues: Form, Chord Plan and Variations",
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                    "description": "…rst two phrases usually carry the same words over different chords, and the third answers them. In the standard plan, the chords are I for four bars, IV……",
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                    "title": "Tritone Substitution: The subV7 Chord That Still Resolves",
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                    "description": "Every dominant seventh chord has a twin a tritone away that shares its restless tritone and resolves to the same tonic. Tritone substitution swaps one twin for the other, trading a leaping bass for a sliding one while th…",
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            "dek": "A barre chord is an open chord moved up the neck. The E shape and the A shape are the two to learn first, and each one is built from its open chord by a simple rule of offsets.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
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        },
        {
            "slug": "reading-guitar-tabs-and-chord-diagrams",
            "title": "Reading Guitar Tabs and Chord Diagrams for Beginners",
            "dek": "Tab shows strings and frets rather than pitch names, and a chord diagram is a small grid of the same information. This explains both, with an arpeggio you can check against the fretboard.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
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                "guitar tablature",
                "chord diagrams",
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            "excerpt": "Guitar tablature is a set of six horizontal lines, one for each string, with a fret number written on the line where a note is played. The top line is the high E string and the bottom line is the low E string. A chord diagram is a small vertical grid in which…",
            "score": 55,
            "partial": false,
            "snippet": "…he high E string and the bottom line is the low E string. A chord diagram is a small vertical grid in which……"
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            "slug": "caged-system-explained",
            "title": "CAGED System Explained: Five Shapes That Cover the Neck",
            "dek": "CAGED turns five open chords into movable shapes. This explains how the shapes connect, how to name a moved chord from its root string, and how to find one chord in several places.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "caged system",
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            "excerpt": "The CAGED system treats the guitar neck as five movable chord shapes, named after the open chords C, A, G, E and D. Slide any one of them up the fretboard and the same finger pattern produces a different chord, so every major chord has a fingering in each of…",
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            "slug": "capo-and-transposition",
            "title": "Capo and Transposition: How a Capo Changes the Key",
            "dek": "A capo raises every open string by one semitone per fret, so a G shape played at fret 2 sounds in A. This shows how to find the sounding key and how to choose a capo position.",
            "topic": "guitar",
            "topic_name": "Guitar & Fretboard",
            "tags": [
                "capo",
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            "excerpt": "A capo is a clamp across the neck that acts as a movable nut. Placed at fret n, it raises every string by n semitones, so the shape you finger sounds n semitones higher than its name. A G-shape chord with the capo at fret 2 sounds in A. To find the sounding…",
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            "partial": false,
            "snippet": "…u finger sounds n semitones higher than its name. A G-shape chord with the capo at fret 2 sounds in A. To find the sounding……"
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            "slug": "chord-extensions-ninths-elevenths-thirteenths",
            "title": "Chord Extensions Explained: Ninths, Elevenths and Thirteenths",
            "dek": "Ninths, elevenths and thirteenths are chord tones stacked above the seventh. Which of them fit a chord depends on its quality, and some clash with the third.",
            "topic": "jazz",
            "topic_name": "Jazz & Popular Harmony",
            "tags": [
                "chord extensions",
                "jazz harmony",
                "ninth chords"
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            "excerpt": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension, and the notes below it are implied: C13 includes the seventh…",
            "score": 29,
            "partial": true,
            "snippet": "Extensions are the chord tones that continue the stack of thirds past the seventh. In C they are D (the ninth), F (the eleventh) and A (the thirteenth). The chord symbol names the highest extension, and the notes below i…"
        },
        {
            "slug": "chord-scale-theory",
            "title": "Chord-Scale Theory Explained: Which Scale Fits Which Chord",
            "dek": "Chord-scale theory pairs each chord quality with a scale whose notes fit it. This article gives the pairings, the spellings in C, and the notes to avoid.",
            "topic": "jazz",
            "topic_name": "Jazz & Popular Harmony",
            "tags": [
                "chord-scale theory",
                "improvisation",
                "modes"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
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            "excerpt": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that differ from the chord tones show which ones…",
            "score": 29,
            "partial": true,
            "snippet": "Chord-scale theory gives each chord quality one first-choice scale: the set of notes an improviser draws on while that chord sounds. Those notes come from the chord itself, so they blend with it. The few notes that diffe…"
        },
        {
            "slug": "chord-symbols-explained",
            "title": "Chord Symbols Explained: Major, Minor, Seventh and Slash Chords",
            "dek": "A chord symbol names the root, the quality, the extra notes and the bass. Here is how to read Cmaj7, C7, Cm7, C/E and C7b9, and the notes each one contains.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "chord symbols",
                "lead sheet",
                "seventh chords"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1506,
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            "json_url": "https://musics.name/api/article.json?slug=chord-symbols-explained",
            "excerpt": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and Cmaj7 adds a major seventh (B). Each symbol is a short…",
            "score": 29,
            "partial": true,
            "snippet": "A chord symbol gives the root, the quality, any extra notes and, after a slash, the bass note. C is a C major triad (C, E, G). Cm is a C minor triad (C, Eb, G). C7 adds a minor seventh (Bb), and Cmaj7 adds a major sevent…"
        },
        {
            "slug": "common-chord-progressions",
            "title": "Common Chord Progressions: Loops, Numerals and Why They Work",
            "dek": "The chord loops that songwriters reuse most, in Roman numerals and in the keys of C and G, with the reasons they work and how to vary them.",
            "topic": "songwriting",
            "topic_name": "Songwriting & Composition",
            "tags": [
                "chord progression",
                "songwriting",
                "roman numerals"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1470,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/common-chord-progressions/",
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            "json_url": "https://musics.name/api/article.json?slug=common-chord-progressions",
            "excerpt": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least some of the time, neighbouring chords share notes, and the…",
            "score": 29,
            "partial": true,
            "snippet": "A common chord progression is a short loop of chords, usually four, that repeats under a melody. Many of the most reused loops share three features. Their roots move by fourths and fifths at least some of the time, neigh…"
        },
        {
            "slug": "how-to-write-a-melody-over-chords",
            "title": "How to Write a Melody Over Chords, Note by Note",
            "dek": "Put chord tones on strong beats, approach tension notes by step, and keep the line singable. A worked melody over C, G, Am and F shows each choice.",
            "topic": "songwriting",
            "topic_name": "Songwriting & Composition",
            "tags": [
                "melody writing",
                "chord tones",
                "songwriting"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1456,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/how-to-write-a-melody-over-chords/",
            "markdown_url": "https://musics.name/articles/how-to-write-a-melody-over-chords.md",
            "json_url": "https://musics.name/api/article.json?slug=how-to-write-a-melody-over-chords",
            "excerpt": "A melody over chords works when its strong beats agree with the harmony and its weak beats move by step. Chord tones on the strong beats tell the listener which chord is sounding, and the notes between them give the line its direction. The worked example…",
            "score": 29,
            "partial": true,
            "snippet": "A melody over chords works when its strong beats agree with the harmony and its weak beats move by step. Chord tones on the strong beats tell the listener which chord is sounding, and the notes between them give the line…"
        },
        {
            "slug": "jazz-chord-voicings-shell-and-rootless",
            "title": "Jazz Chord Voicings: Shell and Rootless Voicings Explained",
            "dek": "Shell and rootless voicings keep the third and seventh of each chord and leave room for a bass player. Worked examples use Dm7, G7 and Cmaj7.",
            "topic": "jazz",
            "topic_name": "Jazz & Popular Harmony",
            "tags": [
                "chord voicing",
                "jazz harmony",
                "guide tones"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1454,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/jazz-chord-voicings-shell-and-rootless/",
            "markdown_url": "https://musics.name/articles/jazz-chord-voicings-shell-and-rootless.md",
            "json_url": "https://musics.name/api/article.json?slug=jazz-chord-voicings-shell-and-rootless",
            "excerpt": "A shell voicing is three notes: the root, the third and the seventh of a chord. A rootless voicing drops the root as well, and often the fifth, and builds on the third or the seventh instead. Both keep the notes that define the chord’s quality, so the harmony…",
            "score": 29,
            "partial": true,
            "snippet": "…ng is three notes: the root, the third and the seventh of a chord. A rootless voicing drops the root as well, and often the fifth, and builds on the third or the seventh instead. Both keep the notes that define the chord…"
        },
        {
            "slug": "non-chord-tones",
            "title": "Non-Chord Tones: Passing, Neighbour, Suspension and More",
            "dek": "A non-chord tone is a note that sounds over a chord without belonging to it. Here are the main types, how each is approached and left, and how to write them.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "non-chord tones",
                "melody",
                "voice leading"
            ],
            "level": "intermediate",
            "date": "2026-10-11",
            "updated": null,
            "words": 1437,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/non-chord-tones/",
            "markdown_url": "https://musics.name/articles/non-chord-tones.md",
            "json_url": "https://musics.name/api/article.json?slug=non-chord-tones",
            "excerpt": "A non-chord tone is a note that sounds over a chord without belonging to it. Its type is set by how it is approached and how it leaves: passing and neighbour tones move by step, appoggiaturas arrive by leap and leave by step, escape tones leave by leap, and…",
            "score": 29,
            "partial": true,
            "snippet": "A non-chord tone is a note that sounds over a chord without belonging to it. Its type is set by how it is approached and how it leaves: passing and neighbour tones move by step, appoggiaturas arrive by leap and leave by…"
        },
        {
            "slug": "roman-numeral-analysis",
            "title": "Roman Numeral Analysis: How to Label a Chord Progression",
            "dek": "Roman numerals label each chord by the scale degree of its root and its quality. Here is a step-by-step method, with I vi IV V worked in C and G.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "roman numerals",
                "harmonic analysis",
                "chord progressions"
            ],
            "level": "intro",
            "date": "2026-10-11",
            "updated": null,
            "words": 1430,
            "reading_time_minutes": 7,
            "url": "https://musics.name/articles/roman-numeral-analysis/",
            "markdown_url": "https://musics.name/articles/roman-numeral-analysis.md",
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            "excerpt": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals describe how each chord relates to the key…",
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            "snippet": "Roman numeral analysis labels each chord by the scale degree of its root, and the case of the numeral shows whether the chord is major or minor. In C major, the progression C, Am, F, G is I, vi, IV, V. The numerals descr…"
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        {
            "slug": "suspended-chords-sus2-sus4",
            "title": "Suspended Chords: Sus2 and Sus4 Explained",
            "dek": "A sus chord swaps the third of a triad for the second or fourth. Here is what Csus2 and Csus4 contain, why neither is major or minor, and how they resolve.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "suspended chords",
                "sus4",
                "chord symbols"
            ],
            "level": "intro",
            "date": "2026-10-11",
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            "json_url": "https://musics.name/api/article.json?slug=suspended-chords-sus2-sus4",
            "excerpt": "A suspended chord replaces the third of a triad with the second or the fourth. Csus4 is C, F and G, and Csus2 is C, D and G. With no third, neither chord is major or minor, which gives them an open sound that the ear hears as incomplete until the third…",
            "score": 29,
            "partial": true,
            "snippet": "A suspended chord replaces the third of a triad with the second or the fourth. Csus4 is C, F and G, and Csus2 is C, D and G. With no third, neither chord is major or minor, which gives them an open sound that the ear hea…"
        },
        {
            "slug": "borrowed-chords-and-modal-mixture",
            "title": "Borrowed Chords: Modal Mixture in Practice",
            "dek": "Mixture borrows chords from the parallel mode. What the common borrowed chords do to a phrase, how they resolve, and where labelling fails.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "modal mixture",
                "borrowed chords",
                "chromatic harmony"
            ],
            "level": "advanced",
            "date": "2026-09-25",
            "updated": null,
            "words": 1541,
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            "url": "https://musics.name/articles/borrowed-chords-and-modal-mixture/",
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            "excerpt": "An F minor triad in C major requires an A flat, which the key signature does not give. Unlike a secondary dominant, the chord is not pointing at another key: F minor is the subdominant of C minor, and C minor is C major’s parallel mode. The tonic has not…",
            "score": 29,
            "partial": true,
            "snippet": "…y signature does not give. Unlike a secondary dominant, the chord is not pointing at another key: F minor is the subdominant of C minor, and C minor is C major’s parallel mode. The tonic has not……"
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        {
            "slug": "seventh-chords-and-resolution",
            "title": "Seventh Chords and How They Resolve in Tonal Harmony",
            "dek": "The chordal seventh falls, the leading tone rises, and the tritone at the centre of V7 resolves by step. What each diatonic seventh chord is for.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "seventh chords",
                "dominant seventh",
                "resolution"
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            "level": "intermediate",
            "date": "2026-09-25",
            "updated": null,
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            "url": "https://musics.name/articles/seventh-chords-and-resolution/",
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            "json_url": "https://musics.name/api/article.json?slug=seventh-chords-and-resolution",
            "excerpt": "Adding a seventh to a triad changes what the chord is for. A triad can sit still; a seventh chord cannot, because the added note is a dissonance with a destination. That single fact explains the behaviour of every diatonic seventh chord in tonal music…",
            "score": 29,
            "partial": true,
            "snippet": "Adding a seventh to a triad changes what the chord is for. A triad can sit still; a seventh chord cannot, because the added note is a dissonance with a destination. That single fact explains the behaviour of every diaton…"
        },
        {
            "slug": "diatonic-chords-in-major-and-minor",
            "title": "Diatonic Chords in Major and Minor Keys Explained",
            "dek": "Diatonic chords are the triads built on each scale degree from the key's own notes. Here are their qualities in major and minor, worked out in C and A.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "diatonic harmony",
                "triads",
                "scale degrees"
            ],
            "level": "intro",
            "date": "2026-10-11",
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            "words": 1432,
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            "url": "https://musics.name/articles/diatonic-chords-in-major-and-minor/",
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            "json_url": "https://musics.name/api/article.json?slug=diatonic-chords-in-major-and-minor",
            "excerpt": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a different set, Am, B°, C, Dm, Em, F and G, and the harmonic minor…",
            "score": 23,
            "partial": true,
            "snippet": "The diatonic chords of a key are the triads built on each scale degree, using only the notes of that key’s scale. In C major they are C, Dm, Em, F, G, Am and B°. The natural minor scale gives a different set, Am, B°, C,…"
        },
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            "slug": "augmented-sixth-chords",
            "title": "Augmented Sixth Chords: Italian, French and German Types",
            "dek": "Italian, French and German sixth chords: how each type is built, how they resolve to V, and their use in enharmonic modulation.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "augmented sixth",
                "chromatic harmony",
                "modulation"
            ],
            "level": "advanced",
            "date": "2026-10-04",
            "updated": null,
            "words": 1272,
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            "url": "https://musics.name/articles/augmented-sixth-chords/",
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            "excerpt": "Some chords exist for a single gesture: two voices stretching outward to an octave. The augmented sixth family turns that gesture into three distinct sonorities, each with its own color, its own resolution habits, and its own role in reaching the dominant…",
            "score": 23,
            "partial": true,
            "snippet": "Some chords exist for a single gesture: two voices stretching outward to an octave. The augmented sixth family turns that gesture into three distinct sonorities, each with its own color, its own resolution habits, and it…"
        },
        {
            "slug": "neapolitan-sixth-chord",
            "title": "The Neapolitan Sixth Chord: Sound, Spelling, Resolution",
            "dek": "The flat-II chord that darkens minor keys: how the Neapolitan sixth is built, voiced, resolved, and used from Bach to Schubert.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "neapolitan",
                "chromatic harmony",
                "cadence"
            ],
            "level": "advanced",
            "date": "2026-10-04",
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            "excerpt": "Few chords announce themselves as clearly as the Neapolitan sixth. One lowered note in the bass, a major triad glowing against a minor key, and the phrase turns toward a cadence of unusual gravity. It is the most audible chromatic predominant in the tonal…",
            "score": 23,
            "partial": true,
            "snippet": "Few chords announce themselves as clearly as the Neapolitan sixth. One lowered note in the bass, a major triad glowing against a minor key, and the phrase turns toward a cadence of unusual gravity. It is the most audible…"
        },
        {
            "slug": "twelve-bar-blues-form",
            "title": "The Twelve-Bar Blues: Form, Chord Plan and Variations",
            "dek": "Twelve bars of 4/4 in three four-bar phrases, moving through I, IV and V. The standard plan in C and F, the quick change, the turnaround and the minor blues.",
            "topic": "form",
            "topic_name": "Form",
            "tags": [
                "twelve-bar blues",
                "form",
                "blues"
            ],
            "level": "intro",
            "date": "2026-10-11",
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            "url": "https://musics.name/articles/twelve-bar-blues-form/",
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            "json_url": "https://musics.name/api/article.json?slug=twelve-bar-blues-form",
            "excerpt": "A twelve-bar blues is a form of twelve bars in 4/4, grouped into three phrases of four bars each. The first two phrases usually carry the same words over different chords, and the third answers them. In the standard plan, the chords are I for four bars, IV…",
            "score": 18,
            "partial": true,
            "snippet": "…rst two phrases usually carry the same words over different chords, and the third answers them. In the standard plan, the chords are I for four bars, IV……"
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            "slug": "tritone-substitution",
            "title": "Tritone Substitution: The subV7 Chord That Still Resolves",
            "dek": "Replace any dominant with the dominant a tritone away: why subV7 works, how it smooths bass lines, and where jazz standards hide it.",
            "topic": "harmony",
            "topic_name": "Harmony",
            "tags": [
                "tritone substitution",
                "jazz harmony",
                "dominant"
            ],
            "level": "advanced",
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            "excerpt": "Every dominant seventh chord has a twin a tritone away that shares its restless tritone and resolves to the same tonic. Tritone substitution swaps one twin for the other, trading a leaping bass for a sliding one while the resolution lands exactly where the…",
            "score": 18,
            "partial": true,
            "snippet": "Every dominant seventh chord has a twin a tritone away that shares its restless tritone and resolves to the same tonic. Tritone substitution swaps one twin for the other, trading a leaping bass for a sliding one while th…"
        }
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